Category Archives: Sustainable design

Greenways and Green Infrastructure

Noticing that the Landscape Institute (LI) has produced a draft policy statement on Green Infrastructure which does not contain the word Greenway, I did Google searches on the two terms. The results were:

This inclines me to the view that, at present, the Greenway Concept has more public visibility. There are three problems with the Green Infrastructure Concept: (1) the literature is thin (2) it is unclear whether “green” means “vegetated” or whether it is used as in “green politics” (3) the term “infrastructure” is much better understood by the built environment professions than by the general public. London has many greenways.  Some are excellent and others in urgent need of better landscape planning and design.

Sustainable landscape architecture, planning and design


Sustainable Landscape Architecture - Guidelines and Performance Benchmarks

Sustainable Landscape Architecture - Guidelines and Performance Benchmarks

Congratulations to the Sustainable Sites Initiative for producing the best publication I have seen on sustainable landscape architecture, planning and design. They are inviting comments and you can use this link to download a free copy.  The Sustainable Sites Initiative is an interdisciplinary partnership, led by the American Society of Landscape Architects, the Lady Bird Johnson Wildflower Center, and the United States Botanic Garden. Good though the report is, my feeling is that the scientists have had a greater say in its production than the designers. The general public and the design community will only make a significant committment to sustainable landscape design when it looks right. It needs to become a ‘must-have-can’t-live-without’ commodity. Never having found much use for blue jeans, I am convinced that people buy 501s for their looks.  I also suspect that people wear stilettos more for style than because they are so durable, comfortable and sustainable.  One of the ASLA contributions to the partnership should have been to ensure the report is packed with must-have images. Even at this late stage, ASLA should find some far-superior images for the cover. I love cycling and cyclists – but I can’t see how they help sell sustainable landscape design.  Ditto with wild flowers and riverside parkways. They exemplify good planning – but not exciting design.


The poetic and the labyrinth

pattern language and nature

pattern language and nature

Source: www.ap-m.co.uk/news.php

There is a particularly attractive spiritual quality about water and its many moods from calm to stormy. As such, it is the perfect location for a ephemeral labyrinth….

This labyrinth appears to be modelled on the seven ringed Scandinavian ‘trogaburg’ labyrinth, usually constructed by placing stones. It is said that these labyrinyths were almost always constructed close to the coast line. It is supposed that they were used by fisherman to trap ‘malevolent’ spirits within the labyrinth before setting out to sea!
During medieval times it is believed the labyrinth was adopted by Christianity as a spiritual device for meditation and prayer. One of the most famous unicursal or one way labyrinths is located at Chartes cathedral. [http://www.sacred-destinations.com/france/chartres-cathedral.htm]
For more labyrinths and mazes;

What is sculpture?

Sound Sculpture

Sound Sculpture

Source:  picasaweb.google.com/…/iF_6Zl5e9zEheng_JrD1rQ

There is considerable ambiguity around the idea of just what sculpture really is. There is not a clear distinction between Physical sculpture (http://www.dexigner.com/design_news/4241.html) embedded with debates about function and form/simple and complex relationships and Sound sculpture (http://www.rainerlinz.net/NMA/repr/Brassil.html) which is based on the ephemeral partitioning of otherwise boundless space (and time) sometimes made visible through its partnership with water in Water sculpture. What a wondrous medium artists have been given to explore and audiences to delight in….is interpretation really essential, when what can be revealed in so much richer than a few words can begin to express?

 



Multi-objective water conservation in India

A stepwell in India

Multi-objective design being more characteristic of traditional societies than modern ‘scientific’ societies, India has the best record in the design of structures related to water conservation. This step well, in Abhaneri, is a temple and a place of resort in hot weather – as well as a water tank and a place to wash. Such structures are found throughout the Indian subcontinent, though many were put out of use by British engineers who saw them as breeding grounds for the malarial mosquito. They are known as baolis or hauz, and many other names, in India and are often called stepwells in English because of the steps which give access to the water at whatever level. The design of step wells and ghats (steps to water) was fully integrated with other aspects of town design. Today, most of them are neglected and rubbish-filled. It is a pity – and too late to blame the imperialists.

I have been reading Amita Sinha’s book on Landscapes in India: forms and meanings (2006). An associate professor of landscape architecture at the University of Illinois, Urbana Champaign, she writes that ‘Rivers, mountains, seashores, and forest groves nurture the rich mythology of gods and goddesses. The association of pilgrimage centers with water can be clearly seen in the number of sacred spots that lie on riverbanks, at concluences, or on the coast. The devotees bathing in rivers on particularly auspicious days gather spiritual merit (punya) and are absolved of their sins. Along with mountains, water is one of the most important natural elements in Hindu mythology, and most sacres sites contain one or both of these elements. Many temples are along riverbanks; others have water in the form of lakes, ponds, or built tanks. Tanks are essential at any worship complex’. London has many, welcome, migrants from the Indian subcontinent and I wish their traditions were employed in the planning and design of the River Thames landscape. See review of London’s riverside landscape and riverside walks.

Sparking the imagination

city visualisation by concept artist mark goernerCity visualisation by concept artist: markgoerner
The visualisation shown is by conceptual artist Mark Goerner. It would be interesting to surmise what premises might underlie this vision of a possible ‘future’ city? Although Mark is neither an architect or a landscape architect he has produced a vision of a probable reality that both architects and landscape architects can recognise and respond to.
I sent this picture to Tom after realizing I had confused the terms ‘aspect’ and ‘prospect’ in my previous comments [see where is this landscape?]. Tom sent through links to Repton’s discussion of aspect and prospect and Loudon’s response.
Perhaps the oversight (in not first checking terms) leading to this discussion is more valuable than I first realised. It is unfortuneately relatively common in architecture to deal with issues of sustainability by modifying climatic effects using techonology (green or otherwise), often without first having planned the use, proximity and orientation of spaces in an iterative manner. [In this discussion also no regard has been given to topographic (and other) concerns ie. founding materials, volumes and degree of incline etc on the arrangement of space.] This way of proceeding, if Repton’s comments are anything to go by, is hardly new. And, if Loudon’s response is correct (and I believe it is), this oversight is a constant source of chargin to architect’s who seek to optimise (the positive) and minimise (the negative) by design.
Prospect is an essential part of the visual experience of a building from the interior; as much as it is an essential part of the visual setting (perhaps approach…but not always) of a building. Aspect is essential to the bodily experience of a building from the interior; as much as it contributes to how the building and landscape meld in harmony to form a composite at a myriad of viewpoints and scales.
Where might this city most probably be located? Why is it situated and arranged in the way that it is? What is the relationship of built form to landscape? What sort of a place would it be to live in? Is it a sustainable city?