image courtesy spinkney
image courtesy spinkney
Density is much more complex than its seems. U-Thant 7 Residences in Malaysia are described as luxury “low density condominiums.” In terms of their built form they would usually be considered a medium density form of living. The context, however, is more typical of low density or even rural or semi-rural settings with a formal park-like foreground setting and a natural background setting.
Undoubtably there are many more examples of this kind. The Cultural Centre design by Paul Eluard in Cugnaux, France attempts to address the contemporary needs of an historical low density city within the landscape.
Dublin is considered to be a low density city. The economic challenges it faces and the resulting contemporary waves of youth emigration suggests that Dublin may remain low density for some time into the future.
So, are we really viewing a population redistribution in global terms with some areas de-populating and others re-populating or increasing in population? What does this trend suggest for the future of our cities, for greenspaces and for wilderness?
Modern life presents numerous paradoxes. Perhaps the first is the widespread trade in food produce and the convenience of supermarket shopping, that has somehow alienated society from the concept that all food is land or sea based. And this means – land area & sea area – must be used, managed and preserved for this purpose, generally in some direct relationship with the population that must be feed.
Can all nations feed their own populations within the bounds of their own land and sea resources?
“Some countries just do not have the land to feed their year-2000 populations even at high yields. They include Afghanistan, Bangladesh, Algeria, Somalia, Lesotho, Haiti, and much of the Middle East. Some of these countries have resources they can trade for food; others do not. After the year 2000, if populations go on growing, other countries come onto the critical list, including Egypt, Ethiopia, Kenya, Nigeria, India, Pakistan, Iran, Iraq, Syria.”
How is sustainable agriculture and aquaculture to be understood?
The 10 principles of New Urbanism are:
3. Mixed use and diversity
4. Mixed housing
5. Quality architecture and urban design
6. Traditional neighbourhood structure
7. Increased density
8. Smart transportation
10. Quality of life
According the wikipedia entry “This new system of development, with its rigorous separation of uses, became known as “conventional suburban development” or pejoratively as urban sprawl, arose after World War II. The majority of U.S. citizens now live in suburban communities built in the last fifty years, and automobile use per capita has soared.
Although New Urbanism as an organized movement would only arise later, a number of activists and thinkers soon began to criticize the modernist planning techniques being put into practice. Social philosopher and historian Lewis Mumford criticized the “anti-urban” development of post-war America. The Death and Life of Great American Cities, written by Jane Jacobs in the early 1960s, called for planners to reconsider the single-use housing projects, large car-dependent thoroughfares, and segregated commercial centers that had become the “norm.”
Rooted in these early dissenters, New Urbanism emerged in the 1970s and 80s with the urban visions and theoretical models for the reconstruction of the “European” city proposed by architect Leon Krier, and the “pattern language” theories of Christopher Alexander.”
New urbanism was fundamentally a social planning movement although it has morphed more recently to include at least a minimalist environmental agenda. Wendy Morris says new urbanism was “….Initially A Reaction to Sprawl…..Now A Basis for Sustainable Urban Growth/Smart Growth…….and a response to Climate Change and Peak Oil…and a Basis for Addressing Physical Health and
Can the old theory of New Urbanism be adapted to adequately address new environmental concerns?
One of the unfortuneate consequences of the fight against urban sprawl, which has been largely taken up in the name of Jane Jacobs, is the loss of green space and the urban forests of many communities. They are disappearing in the manner environmentalists call ‘death by a thousand cuts’, that is (sometimes) slowly and incrementally.
Sherwood Forest is one of the old, upscale, districts of Detroit, ‘the city of Neighbourhoods’;
“Developers thought that the area should resemble an English village; thus, they selected appropriate English names and curved and winding streets. You will not find a rectangular street pattern here or in old English villages. There are about 435 homes, most of them built before the Depression terminated housing construction in the city. Many of them are Georgian Colonials or English Tudor homes in keeping with the English theme. Some of the homes are newer, having been constructed after building resumed in 1947. They are large, even by the standards of early 21st-century architecture since they average about 3,600 square feet with four to six bedrooms.”
In the adjacent suburb of Palmer Woods is the Dorothy Turkel House by Frank Lloyd Wright, which undoubtably also relies on its leafy surrounds for its ambience.
British biologist Professor Jeff Sayer in his lecture at James Cook University asked the apt conservation question, ‘Conserving the forests for whom?’
The Berring Straits Project asked designers to imagine an element to connect the Russia and the United States. A peace bridge perhaps? Off Architecture were awarded second place for this imagining of a sometimes occupied space between two parallel 10 metre walls.
As architects contemplate the perils of global warming marine architecture is emerging as a serious discipline. However the genesis of this architectural discipline can be found in iconic structures such as the Miami Marine Stadium designed by Candela in the early 1960s. The stadium is expected to achieve landmark listing status.
Obviously, marine architecture presents a new challenge to the land-scape profession because imagining a sea-scape and the propogation of corals and algae in the enclosed gardens – hortus conclusus – of the ocean is conceptually different.
In the petrified seagarden, Richie Park, we are challenged to rethink our ideas about the natural boundaries between land and sea.
Yet, in explorations of the seaside, are potentially the sparks of inspiration for seagarden designers.