Category Archives: landscape and garden archaeology

Changing attitudes to religion, marriage and the environment

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Sunrise on the solstice is celebrated at Stonehenge. Archaeologists now think sunset was the significant occasion.

In the 1950s, people felt shame-faced about being athiest and/or ‘living in sin’, while the Ministry of Agriculture gave special grants for removing hedges, draining wetlands and planting conifers. These attitudes have been reversed. Europeans want to conserve everything and speak confidently about religion being ‘a load of rubbish’. But their attitude to religions is peculiar. Adherents of older religions are seen as minions worshiping graven images in hopes of being given baubles. Christianity is associated with mumbo-jumbo (and child abuse). These attitudes put a 7th generation agnostic (me) in the unexpected position of explaining the good aspects of faiths: the value of spiritual matters, ethics, virtues, peace, hard work and simple living.

Image courtesy tarotastic

Concepts of sacredness and beauty

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It is likely that the history of Japanese gardens finds its origins in Shinto traditions. In particular the sacred nature of rocks: “from the ancient remains of rock arrangement” of the fifth century AD, we find a resemblance to existing Japanese gardens. “However it appears they were used for the spiritual rituals and not designed as a stone arrangement for the beauty of gardens.”

The earliest known Japanese gardening texts are a medieval text, Sakuteiki, and an illustrated text dating from the Muromachi period (1333-1573). The origins of Japanese garden design principles are said to be traceable back to these two texts. The location of Shinto shrines were near striking natural formations, waterfalls, caves, rock formations, mountain tops or forrest glens reflecting the idea that kami spirits were located in nature. The earliest shrines were mounds, caves or groves. Kami occur in two categories (object kami) and mythical and historical persons (active kami). Illustrated is off-shore rock kami.

The following story is related of an off-shore rock just off Oshima:
“The kami enshrined here is Ichikishimahime, daughter of Susano, and eldest of the three Munakata princesses. Just off Oshima is a large rock protuding from the sea. The story is when Ichikishimahime heard she was going to be enshrined on Oshima, she was really excited and proud because Oshima means ‘Great Island’, but when she got here and saw just how small it really was, her tears formed the rock.”

With the introduction of Buddhism into Japan the earliest interaction saw local kami asking to be saved from their kami-state by means of Buddhist ritual.

John Evelyn's garden at Sayes Court and the Convoys Wharf Urban Landscape Master Plan

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John Evelyn's garden superimposed on plans of the Convoys Wharf site in the seventeenth century, the nineteenth century and, one hopes not, the twentyfirst century

Steen Eiler Rasmussen concluded the second edition of his brilliant book London: the Unique City with these prophetic words: ‘Thus the foolish mistakes of other countries are imported everywhere, and at the end of a few years all cities will be equally ugly and equally devoid of individuality. This is the bitter END’. So what would he think of the Hutchison Whampoa Master Plan for Convoys Wharf? He would detest it, utterly. The architects are Aedas, who claim that ‘ We provide international expertise with innate knowledge and understanding of local cultures’. Evidently, this expertise does not extend to the local culture of Deptford – unless they think it is the same as the culture of London/England/Europe or the World. The planning consultants, let it be recorded, is by bptw . Their website promises ‘responsible architecture executed with imagination’. Maybe the firm can do this. Maybe the client’s brief made it impossible at Convoys Wharf. Or maybe what the project required was a firm of Urban Landscape Designers, rather than a firm which sees its main business as architecture. The architecture makes one yearn for the imaginative approach one sees in Dubai. The spatial pattern resembles that of the Ferrier Estate in Kidbrooke, the planting design is what Chris Baines calls ‘a green desert with lollipops’. I am not an admirer of the scheme – and I much regret that John Evelyn’s design for Sayes Court has been cast into what Leon Trotsky called ‘the dustbin of history’. It is a quotation which gives us a lead into the origins of the Convoys Wharf design. In days gone by it might have graced a Parisian banlieue (like Sarcelles), a suburb of East Berlin – or even Moscow itself. With specific regard to the Sayes Court Garden, we should remember that (1) Evelyn, beyond doubt, was the greatest English garden theorist of the seventeenth century (2) Evelyn played a key role in introducing Baroque ideas on garden design to London (3) the Convoys Wharf site would never have come into public ownership were it not for the generosity of John Evelyn (4) Sayes Court was very nearly the first property to be saved by the National Trust.
THEREFORE the Convoys Wharf site demands a context-sensitive urban landscape design.
Wikipamia shows the present condition of the Convoys Wharf site and the Sayes Court Estate. Also see the Convoys Wharf Planning Application Documents.

This drawing purports to show 'Landscape, Townscape and Visual Amenity' . Phooey

Archaeologists wreck archaeological landscapes and ancient silk road cities

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Better not to name it, for fear of attracting more tourists, but this is a silk road city in Central Asia. It was opened up by archaeologists and then left in this condition. The excavators will have published a learned report on their findings. Then they left it like this – as a tourist attraction which the government can put into guidbooks, hoping to create jobs and attract hard currency which can be spent on weapons. Now the rain falls on the mud walls, the sun cracks them, the wind blows the dust away. Far better if the archaeologists had done something useful with their lives, instead of running university courses to teach other archaeologists to support the tourist industry.

Shimmering on the water

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The floods have done something amazing to the inland Australian landscape that is perhaps only rivalled by the fabulously unique underwater landscapes that are rarely glimpsed by the landbound. It is a rare event that mostly only occurs in La Nina weather patterns: the overflowing of Lake Eyre.

And where is all this additional water coming from? Tropical cyclones, with their destructive winds, which develop over the Pacific Ocean as far away as Fiji. So out of natural disaster (as we call it because of our cities and human settlement patterns) comes a natural wonder.

Is there a better way for us to accommodate the cycles of nature within our human environments?

Gardening on ice: a mammoth project

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It is not often that you see a proposal for a substantial indoor garden, still less one located on an ice tundra, however this is what Leeser Architecture, (who also imagined the engaging Helix Hotel in Abu Dhabi) have proposed in their design for the World Mammoth and Permafrost Museum in Yakutsk Siberia. Yakutsk is the world’s largest city built on permafrost with temperatures ranging from -45degF to 90degF.

The extensive and intensive indoor gardens have been designed to “promote a sense of year-round natural life even in the desolate winter months.”

Not much is said of the about the construction of the landscape elements and gardens. This is a competition afterall, so details will undoubtedly be required later.

The exterior gardens are described as “naturally patterned by the effects of shifting permafrost cycles.” Cells will be planted with native grasses. Mosses and trees will be reintroduced to the landscape to reflect the existing topography and improve site hydrology.

While the interior gardens cascade “at the perimeter of the building’s interior with lush thick mats of moss and lichen” grown between a latticework of pathways.” Moss and lichen are the natural insulators of permafrost ground. The gardens have a number of important functions including to 1) add color 2) insulation value 3) filter indoor air and 4) maintain air humidity.

In one of the gardens floats a cafe, while other gardens can only be viewed from above by visitors but are accessible to researchers.