Author Archives: Tom Turner

Landscape Instutite Library and Archive

I attended the meeting of the Landscape Institute yesterday, held to discuss the future of the Library and Archive, which is threatened with disposal. Many people remarked on what a pleasure it was to have a general LI meeting – and what a pity that it had to have a negative objective: to stop the disposal of the LI Library. When I moved to London in the early 1970s there used to be regular general meetings of the Institute at Carlton House Terrace. A friend remembers playing musical chairs with Sylvia Crowe, Brenda Colvin, Cliff Tandy,  Bodfan Gruffyd, and others.  It was appropriate that Hal Moggridge, who also attended these meetings, was the first to speak in support of the Library and Archive.  Since the Chapters/Branches were formed the community has lacked well-attended general meetings. Our predecessors would be pleased that the points made at the general meeting on 22 January 2009 were more positive than negative.

There was strong support for the principle of retaining the Library and Archive in the ownership and custody of the Landscape Institute. To some, it felt like keeping family photographs: one may not look at them very often but one wants to know they are there. They are our heritage; they define our identity; they are the seed from which the organization will grow.

There was strong support for the principle of re-directing the Landscape Institute’s administrative energy towards the exertion of influence on public policy. Having been urging this change since 1990, I was very pleased to hear people speak in its favour. The economic recession, which was officially recognized this morning, makes the task urgent.

There is an appreciation that the LI Council and Secretariat have become detached from the membership. The LI is spending too much money on administrators. They are not landscape architects and they do jobs which used to be done by members working as volunteers. This is expensive and, as ever, a volunteer is worth ten pressed men or women.

Here is my own suggestion:  the LI should hold another General Meeting to formulate ideas and set the agenda with a series of Policy Statements, as Geoffrey Jellicoe did in the even darker days of the 1940s and 1950s. People can speak with passion at meetings, making the task of writing the policy statements simpler and faster. Instead of a few glossy documents on vague topics we should issue monthly press releases accompanied by two good illustrations and two sides of A4. The Friend’s Meeting House would be a good venue for a Policy Meeting.

The principles of planting design

img_9276A friend, who is both a designer and a plant expert, remarks that “a planting design should be done without reference to plant names”. Instead, “the designer should use sketches and cross sections” – and then think about what species could achieve the design effect.

Though I accept the point that planting design is very much to do with colour, texture, mass, etc, I do not agree with the point. Think about furniture design: you need to know whether the item is to be made with steel, plastic, cast iron, oak, ash, birch or whatever, BEFORE the design can be started.

So what are the principles of planting design? We published an eBook on the Principles of Garden Design in 2008 and, if time and inspiration permit, would like to follow it with an eBook on the Principles of Planting Design.

Though unsatisfactory, it it tempting to conceive the subject in terms of historic approaches to planting design. My friend’s approach, I think, relates to the Bauhaus belief that there are certain principles of abstract design which, presumably, apply to any project in any time in any place.  As Geoffrey Jellicoe wrote in 1925  ‘The bases of abstract design, running through history like a silver thread, are independent of race and age’.

Modern planting designs are treated as abstract compositions which need only please the eye. But there is more to planting design and abstract composition runs contrary to the idea that ‘form follows function’. If one wants to grow cabbages or apples, or to engage in permaculture, then one cannot think about ‘the design’ in isolation from its function.

The photograph illustrates the point that “Dierama pulcherrimum is an elegant plant which looks well with the softness of Stipa tennusima“. But could this plant combination have been achieved by doing the design BEFORE thinking about the species?  I asked the designer and learned that ‘ The Stipa was planted first and placed because I thought it was a place it would flourish. Then I walked round, some years later, with the Dierama in a pot – and thinking both where it would grow and what it would go with from a compositional point of view’. So species selection preceded aesthetics.

Sustainable landscape architecture, planning and design


Sustainable Landscape Architecture - Guidelines and Performance Benchmarks

Sustainable Landscape Architecture - Guidelines and Performance Benchmarks

Congratulations to the Sustainable Sites Initiative for producing the best publication I have seen on sustainable landscape architecture, planning and design. They are inviting comments and you can use this link to download a free copy.  The Sustainable Sites Initiative is an interdisciplinary partnership, led by the American Society of Landscape Architects, the Lady Bird Johnson Wildflower Center, and the United States Botanic Garden. Good though the report is, my feeling is that the scientists have had a greater say in its production than the designers. The general public and the design community will only make a significant committment to sustainable landscape design when it looks right. It needs to become a ‘must-have-can’t-live-without’ commodity. Never having found much use for blue jeans, I am convinced that people buy 501s for their looks.  I also suspect that people wear stilettos more for style than because they are so durable, comfortable and sustainable.  One of the ASLA contributions to the partnership should have been to ensure the report is packed with must-have images. Even at this late stage, ASLA should find some far-superior images for the cover. I love cycling and cyclists – but I can’t see how they help sell sustainable landscape design.  Ditto with wild flowers and riverside parkways. They exemplify good planning – but not exciting design.


The definition of landscape architecture

I define landscape architecture as the art and science of composing landform, water, vegetation, paving, structures and sky in relation to human needs and aspirations. At different scales the results are:

  •  garden design (typically private outdoor places)
  • landscape design (typically public outdoor places)
  • urban design (public, semi-public, community  and private outdoor spaces)

If the six compositional elements are not designed in relation to each other,  less-good places will result. The objectives of landscape architecture relate to Vitruvius‘s three objectives: Commodity (Utility), Firmness (Technical Quality) and Delight (Aesthetic Quality)

ueda-copy

See also:

Definitions of landscape architecture

The importance of landscape architecture

 Ueda Landform – Scottish Gallery of Modern Art  design by Charles Jencks (Image courtesy Matt Riggott).

The design and care of great gardens

cypress-katsura1Short-term thinking produces such horrors as the ‘useful quick-growing screen’, achieved (left) with Lawson’s Hated Cypress (Chamaecyparis lawsoniana ‘Horribilis’). Long-term thinking produces such masterpieces as Katsura Imperial Villa (right).

It is a sobering thought, for the highly trained professional designer, that most of the world’s best gardens owe their brilliance to the work of owner-designers – not to professional designers. One thinks of Katsura Palace, the Taj Mahal, Sissinghurst and Little Sparta. Then one thinks of all the billions spent on public parks in the twentieth century: they produced a few good designs, a mass of trash and nothing in the first order of excellence. Think of the  Parque Juan Carlos I . It must make the poor old King of Spain think about abdication (or just about changing its name to Parque General Franco?).

There is one outstanding candidate amongst many possible explanations for the problem. Professional designers think about making an impact on their immediate clients and their peers; owner-designers have often belonged to dynasties with a concern for the very long term future of their property in general and their gardens  in particular. They combine the essentials of ‘ownership and control’ with a sense of duty to the past and duty to the future. Garden designers and landscape architects can assist only with help from enlightened patrons.

To make better public gardens and  landscapes we require very much better patronage. What can the modern world do? Reinstate primogeniture? Abolish inheritance tax? Bring back the aristocracy?

HAPPY NEW YEAR TO ALL OUR READERS

Garden design trends for 2010

Garden trends 2010

Happy New Year 2010



Happy New Year to every every garden. How would you like to see garden design develop in 2010? Personally, I would like to see gardens become  more useful, more beautiful and better built:

  • More useful gardens: gardens should be used to grow more food.
  • More beautiful gardens: pay no attention to what is seen in garden centres (unless the garden centre employs talented garden designers to layout their stores).
  • Better construction for gardens: we like the idea of thrifty garden design: (1) DIY using local materials (2) DIY using recycled garden construction materials (3) being strict about ‘using materials of only the best quality’



Window box herb garden

Should every kitchen should have a window and every kitchen window should have a box for growing herbs?



[Images courtesy Stephanie Adamo]