The ‘urban squatters’ skateboard park on the South bank in London is one of my favourite examples of a highly specialised, and unofficial, public open space. Benighted planners have as unimaginative an approach to POS as they do to education. It is ONE SIZE FITS ALL – a national curriculum and a national provision of ‘public open space’. The historic standard was ‘7 acres of open space/1000 people’, to go with a national diet of one glass of milk, four slices of bread, meat and two veg, with a fish on a Friday. Cooks have liberated us from wartime diets but wartime POS provision continues. ‘You can have any POS you want, so long as it is green’. But, as the video shows, London’s young, dynamic, agile and multi-ethnic youngsters have other ideas, other tastes, other skills and a harlequin love of coloured space. My conclusion is that the age of Generalised POS is over. The age of Specialised POS has begun. The above example cost the authorities nothing to make and costs them nothing to maintain. It is therefore more SUSTAINABLE than a stupid patch of neglected grass.
Notes (1) other examples of specialised POS welcome (2) I’m not sure but I think the urban space in the video is a consequence of the architecture professions onetime love of pilotis.
Tirtagangga water garden: the garden that time forgot
The Tirta (Holy Water) gangga (Ganges) water gardens in Bali are composed of three main elements: water, sculpture and gardens. They were originally built by the
late King of the Karangasem in 1948. However in 1963 with the eruption of the volcano Gunung Agung much of the palace was destroyed leaving only the bathing pools. The garden is said to be designed in a mixture of Balinese, European and Chinese styles and have undergone reconstruction.
Holistic urban water management in Chinese urbanisation: Atelier Herbert Dreiseitl in Zhangjiawo New Town
中国城市化进程中的整体城市水管理:张家窝新城设计—Dreiseitl工作室 Thinking about the urban development which has taken place in mainland China since Deng Xiaoping repudiated the Cultural Revolution in 1977, the words which come to mind are: fantastic, astonishing, unbelievable and unprecedented. If, however, a laowai 老外 may be allowed a word or two of criticism (1) the work has been a little rushed (2) too few landscape architects were involved in the urban design (3) it is a pity that so much was learned from America in comparison with what was learned from Europe (4) nature in general and water in particular have suffered from the urbanisation (5) the work could have been done in a more Daoist way than it has been, with the reverence for nature which was traditional in Daoist and Buddhist culture.
With these thoughts in mind I was very pleased to read that Atelier Dreiseitl have completed a project in Zhangjiawo New Town. As noted in a review of Dreiseitl’s book on Recent Waterscapes, his work has the virtue which Lewis Mumford attributed to Ian McHarg of combining ‘scientific insight’ with ‘constructive environmental design’.
‘The Chinese seem to have been the first to perceive the relationships joining the flow of water with the shape of land and with the social and philosophical milieu.According to Joseph Needham, China produced two opposing schools of thought in hydrological engineering as in virtually ever other area of human endeavor: the Confucian and the Taoist. The Confucians were disciplinarians who believed in strict rules and strong measures of control. They advocated ‘high and mighty dykes, set nearer together’… The Taoists, or expansionists, were more inclined to let water take its own course as far as possible, giving it plenty of room to spread. The result was a very complex network of flow. An early Taoist engineer, one Chia Jang, wrote over 3000 years ago that ‘those who are good at controlling water give it the best opportunities to flow away; those who are good at controlling the people give them plent of chance to talk’ (John Tillman Lyle, Design for human ecosystems: landscape, land use, and natural resources (1999, p.236)
The American approach to water management was Confucian, in the sense of regulatory. But McHarg introduced a more Daoist approach in the famous project for Woodlands, Texas. It proved to be more beautiful, more effective and more ecological. And it came in at 25% of the cost of the US engineers ‘Confucian’ system. As McHarg observed ‘there is no better union than virtue and profit’. I therefore hope Dreiseitl is re-pioneering a Daoist approach to holistic urban water management in the formerly Daoist Middle Kingdom. Continental European cities, because so many of them were founded in the Middle Ages, have a long tradition of incorporating open water channels within the fabric of the city. American cities, because so many of them date from the nineteenth century, have tended to put as much urban water as possible into underground pipes. China seems to have done things the American way, so far.
Images courtesy Tian Yuan
Charles Platt: Pools of inspiration and transformation
The swimming pool and bathhouse at Manhassat Long Island by architect and landscape architect Charles Platt demonstrates the transformation in design thinking from European ideas that slowly began to characterise the design approach in the United States. The Manor House garden is remarkable for illustrating the genesis of this transformation in thinking with the ‘before’ garden centred on a fountain and the ‘after’ garden centred on the pool.
Gwinn, for which Platt contributed the architecture and collaborated with Ellen Biddle Shipman Warren Manning on the landscape contributes to the transformation of the Italian villa as inspiration to an American sensibility. There are particular elements of the garden design on the shores of lake Erie which introduce a genius for place into the American oeuvre, and are more suggestive of the quintessentially casual out-of-doors leisure lifestyle.
The turf maze as a game of love
A labyrinth has a single path to its centre and was a Christian pilgrimage symbol during the middle ages.
A maze, with many blind alleys, puzzling events and difficult choices, became the setting for a garden game for six unmarried youths and six unmarried maidens. In pairs, a boy and a girl make their way in opposite directions, one centripetal and one centrifugal. Cupid, who directs the game, encourages them to kiss if they meet. They all dance when the game is over. Ringhieri, an Italian author who explained the rules in 1551, appends some questions to the rules: ‘Why is the maze blind? Why is love a maze? Is human life a maze? Why is womens’ hair like a maze? Is philosophy a maze? Is human life an inextricable maze?
The game and the questions form part of the ‘labyrinth of love’ (see, for example: Boccacio’s Corbaccio o Laberinto d’amore).
A game of love on a turf maze would be fun during a university fresher’s week – when there is everything to play for.
The maze in the photograph is on the village green at Alkborough in Lincolnshire – and I do not know if it was used for the game of love. Arthur Mee says it was cut by monks in the 12th century and White (Lincolnshire Directory (1872) that it was made by the Romans. Others think it is medieval. The excellent Labyrinthos website states that the first record of the Alkborough Turf Maze dates from the 1690s. Eight English ‘turf mazes’ survive. They are actually unicursal labyrinths and may be old – but the earliest records are from the seventeenth century. Their locations are interesting in themselves. One is in a garden; three are in the hills; four are on village greens or similar places:
Alkborough, Lincolnshire – near the village church and overlooking the Rivers Trent and Humber
Dalby, North Yorkshire – on the hills between the villages of Brandsby and Dalby
Wing, Rutland – on the edge of the village green
Hilton, Cambridgeshire – on the village green
Somerton, Oxfordshire – in a private garden
Saffron Walden, Essex – on the Town Common
Winchester, Hampshire – on a hill on the south of the village
Breamore, Hampshire – on a remote hilltop
Image courtesy Lincolnian (Brian)
The classical gardening ideal of George London, Henry Wise and Virgil's Georgics
Here is the explanation of the frontispiece to The Retir’d gardener by George London and Henry Wise. Though England’s greatest Baroque garden designers, London and Wise dreamed of the simple life.
I. Agriculture, represented by a country-woman; her left hand upon a fruit-tree, her right upon a Zodiac, two genii supporting it.
II. Industry, represented by a woman standing on the other side of the tree, holding a book in her right hand, and a lamp in her left, with a crane at her feet representing vigilance; to show, that besides the labour and practice abroad in the day-time, to come to a perfect knowledge, we must read and study at night by the light of the lamp.
III. One of the naides or nymphs of the water, to water the tree; water being the soul of all vegetables.
IV. Terra, or mother-earth, with a wreath of flowers upon her head, a cornucopia in her right hand, and the globe of the earth in her left.
V. A view of a plantation of trees.
VI. Spades, pruning-hooks, &c. upon the ground.
The reference is to Virgil’s Georgics: Blest too is he who knows the rural gods.
And what more could any of us want: agriculture, the industry to seek perfect knowledge, water, earth, trees and tools?
Henry Wise retired to enjoy a life of rural retreat at Warwick Priory. In 1925 his house was sold for its bricks, which were used to built Virginia House in America.
The Undersecretary of State for the Home Department knew it was to be demolished, in 1925, and said that ‘financial reasons’ prevented his doing anything. As Thomas a Kempis put it, Sic transit gloria mundi. The foundations of Warwick Priory were partially excavated in 2002-3. .