Category Archives: landscape and garden archaeology

Capernaum House of St Peter and landscape archaeology

The Octagon Church is a fine example of context-insensitive design, despite its octagonal shape

The Octagon Church is a fine example of context-insensitive design, despite its octagonal shape

When building a visitor centre on an archaeological site the best policy is assemble a group of experts and ask them to make a reconstruction of the original building. The worst policy is to invite a trendy designer to exercise his or her creative imagination. The Octagon Church at Capernaum shows ‘how not to do it’. The building dominates the ancient town. I find it no comfort at all that visitors can look through the glass floor and see the ruins of the octagonal church which the Byzantines built on the supposed ruins of St Peter’s House.

” According to Luke 4:31-44, Jesus taught in the synagogue in Capernaum on the sabbath days. In Capernaum also, Jesus allegedly healed a man who had the spirit of an unclean devil and healed a fever in Simon Peter’s mother-in-law. According to Matthew 8:5-13, it is also the place where a Roman Centurion asked Jesus to heal his servant… One block of homes, called by the Franciscan excavators the sacra insula or “holy insula” (“insula” refers to a block of homes around a courtyard) was found to have a complex history. ..The excavators concluded that one house in the village was venerated as the house of Peter the fisherman as early as the mid-first century AD, with two churches having been constructed over it (Lofreda, 1984).”  Info from Wiki. Photo courtesy kokorokoko

There is a great need for landscape architects to become involved with archaeological sites. They are far too important to be left to the care of archaeologists.

Glastonbury Tor as a sacred landscape

Glastonbury Tor Sacred Landscape

Glastonbury Tor Sacred Landscape

Glastonbury Tor is a sacred place, in the same region (the Somerset Levels) as the oldest engineered road in north Europe, the Sweet Track (tree-ring dating establishes the construction date at 3806 BCE). Physically, Glastonbury Tor resembles Silbury Hill. My  view (see evidence below) is that it has been a sacred site since Neolithic times. European Christianity grew in opposition to paganism, banning garden luxury and felling sacred trees, but was willing to take advantage of the sacred sites and to use them as sites for church building. We can therefore see some connection with the animism of Central Asia and the custom of building temples on hills and mountains.

The National Trust conservation statement for Glastonbury Tor summarizes what is known of Glastonbury Tor’s history as follows:

1.2. RESEARCH AND CURRENT UNDERSTANDING OF THE SITE
Later Neolithic 2900-2200BC, flint and stone artefacts found from this period. later Bronze Age 1400-600BC. Very little known about this period. Romano-British 43AD-410AD. Prehistoric and Roman finds- early and late Roman pottery.
Dark Age centred on 600 AD, timber building, evidence of metal workings, substantial metal working, Roman Samian pot shards.
Late Saxon-early Medieval 600-1066 AD, monastic settlement, possible wooden church.
Medieval 1066-1485 AD, two or more successive stone churches on summit. Priest’s house and other buildings on shoulder.
Tudor 1485-1603. Very little known about this period.
Stuart 1603-1714. Very little known about this period.
Hanover 1714-1901, rebuilding of the tower in 1848. The 1821 rates map and 1844 tithe map show Tor field (the lower enclosed fields?) were used for arable crops well into the 19th century. St Michaels Tower restored.
1933 National Trust acquires Tor field with St Michaels Tower.
1948 further restoration works on the St Michaels Tower.

Stonehenge theories revisited


 

Stonehenge Sunrise June 22nd 2009

Stonehenge Sunrise June 22nd 2009

The paperback version of Rosemary Hill’s Stonehenge has just come out. In this witty and erudite volume she unpicks the various theories of the purpose of the stones and shows how they “say more about the theorists and their time than the place itself”. http://www.amazon.co.uk/gp/product/1861978804/ref=sib_rdr_dp

Like Pevsner and among many others I have shared Tom’s disappointment in visiting Stonehenge in the middle of the day with a thousand other tourists, and have done the same visit only once since we were no longer allowed to have picnics on the sacrificial stone.  And no one can tell me that it is not indeed a sacrificial stone, since my own time and place meant I was brought up with the romantic view of Stonehenge as described by Clive King’s immortal ‘Stig of the Dump’. In it the time-misplaced caveman Stig who lives in a chalk pit, leads our adventurous hero out of his long summer holidays and back in time to witness Stonehenge one Midsummer’s Eve. The sense of time and timelessness of the stones are ingrained via the experience of childhood.

It is in the moonlight or early morning that the stones look at their most magical, or in the drama of a storm as portrayed by Turner. One must go out of hours. The only way to visit Stonehenge in my view is then to keep your romantic beliefs, and in the current layout to keep your distance. One must see it without the crowds; the coaches and concessions; barbed wire and information panels – (the latter soon to be redone by English Heritage’s ‘intellectual access scheme’ which apparently involves rewriting all information so that it can be understood by someone with the reading age of ten.)

One of the best views of the Stones and the settings is from the footpaths behind Countess Farm, on the Amesbury roundabout. Walking up behind the Kings Barrows and looking out along the Avenue you get the sense of scale and grandeur which makes the whole plain feel like a cathedral nave with the stone circle as the trancept. One of the fairly recent proposals was to have the visitor centre at Countess Farm, with pedestrian access to the stones from there. This would be a brilliant way of regaining the atmosphere of the place, with the half mile walk allowing the time and space to feel the sense of place. The cars and coaches would be out of the view too. We would then just need to get rid of the barbed wire.

At the poet and philosopher John Michell’s memorial service last month was read this poem:

How Lord Montagu Gave Stonehenge to the Freemasons

By John Michell, Midsummer 1988

WHEN philanthropic Mr Chubb gave Stonehenge to the Nation

(He’d bought it just before he made this generous donation)

He laid down two conditions: public access as of right

And nothing to be built nearby to mar the sacred site.


The answer to these clauses form the government Trustees

Was ‘Bother Mr Chubb, we’ll do exactly as we please.

A few more buildings round Stonehenge aren’t really going to spoil it,

Beginning with a carpark and a gents’ and ladies’ toilet.


The Commissioners of Works who were the first administrators

Were succeeded by another bureaucratic apparatus

Entitled ‘English Heritage’, and what these people do

Is bugger up historic sites; their head’s Lord Montagu.


They made a fence of steel and wire which everyone bemoans

And dug a concrete tunnel from the carpark to the stones.

No one is permitted now to walk inside the ring

You’re kept behind some ropes so you can hardly see a thing.


There used to be a festival to greet the summer sun

And people would assemble there as they had always done.

In 1985 we saw the end of that tradition

Lord Montagu decided on its total abolition.


But ever since he ordered that the festival should cease

Stonehenge has been surrounded by an army of police,

And if you try to join them they get terribly excited

And tell you that it’s private and you haven’t been invited.


Now, I’m not the sort of person who’ll impetuously hasten

To spread the word that every single policeman’s a Freemason,

But many of them are you know, and here’s the subtle dodge;

Stonehenge has now been proved to be an old Masonic Lodge.


The person who revealed this – and he certainly should know-

Is Mr Russell Herner of the Grand Lodge, Ohio.

His book about Stonehenge says it was built for all eternity

To house the Master Mason and the rest of his fraternity.


So when upon the longest day, St John the Baptist’s Feast,

You see a group around Stonehenge who gaze towards the East,

They’re not just simple coppers spoiling other people’s fun,

They’re members of the brotherhood out worshipping the sun.

Perhaps there was a senior officer at the memorial, for we learn this week that all pagan police officers are to be given time off to celebrate the Summer Solstice. And all witches in the force are to be given Halloween for religious parity. Who will police the solstice then?


Fishbourne Roman Palace Garden

The re-created Fishbourne Roman Garden looks too much like a renaissance garden, with a 'formal' hedge and mown lawn

The re-created Fishbourne Roman Garden looks too much like a renaissance garden, with a 'formal' hedge and a mown lawn. The museum building, left, is passable but it would have been a much better idea to use the columns to make a proper peristyle with a tiled roof. Terracotta-coloured sheet steel would be an improvement.

Barry Cunliffe led the excavations at Fishbourne from 1961-8 and wrote a most useful book on the subject. Located near Chichester on the south coast, Fishbourne is the best example of a Roman garden in England. But I am doubtful about Cunliffe’s interpretation.  He began with the proposition that ‘there was a formal and it was discoverable by excavation’ (Cunliffe’s italics). This assumes his conclusion and the term ‘formal garden’ comes from a much later period in garden history. This has been a problem with much that has been written about Roman gardens. Since the term ‘Renaissance’ means ‘re-birth’ too many people have concluded that we can discover the form of  Roman gardens by studying renaissance re-incarnations. But there are several other sources of information about Roman gardens and they do not seem to confirm this picture (or ‘formal’ hedges and a ‘formal’ lawn : (1)  the frescos at Pompeii, Herculaneum and elsewhere; (2) excavation of garden sites in Southern Europe; (3) texts, such as Pliny’s letters. None of these sources confirm the above re-creation of Fishourne. The planting design  comes from a pattern of trenches, but there is no evidence that box was planted in these trenches. Cunliffe calls them ‘bedding trenches’ (p.134) and my experience of growing hedges and flowers inclines me to the belief that they were more likely to have been planted with flowers. Pollen analysis yielded no information but box is of course a tree (Buxus sempervirens). It can grow on very dry soils and it has has strong fibrous roots. Digging up one of the box trees shown on the photograph ( planted at Fishbourne in the 1960s) would provide useful evidence – my guess is that the roots would be found to have outgrown and destroyed the archaeological Roman ‘bedding trenches’ (in fact I do not think they should have been planted, for this very reason – who knows what information future archaeological techniques might otherwise have discovered?). William Melmoth’s translation of Pliny’s Letter LII to Domitius Apollinaris [ Bosanquet, 1909 edn] includes this passage:  ‘You descend, from the terrace, by an easy slope adorned with the figures of animals in box, facing each other, to a lawn overspread with the soft, I had almost said the liquid, Acanthus: this is surrounded by a walk enclosed with evergreens, shaped into a variety of forms.’   I wonder if the tree, shown as a conical specimen on the photograph, was box clipped into an animal form. Conical specimen trees and lawns are modern concepts.  Like everyone, I  would like to know more.

Stonehenge as a woodland site

The stones at Stonehenge may have been placed in a woodland glade, as in the above photomontage

The stones at Stonehenge may have been placed in a woodland glade, as in the above photomontage

If Stonehenge was built in a woodland clearing, this photomontage gives an impression of how it might have looked, more like Japan’s sacred rocks (iwakura) in a sacred place ( niwa) in a forest  than like the ‘English Acropolis’ Stonehenge was once conceived to have been.

Stonehenge was made at the height of the Neolithic forest clearance which converted England from a forest land to a partly-agricultural land. Clearings symbolized the presence and the work of man. There are no records of Neolithic vegetation cover on Salisbury Plain but it ‘must’ (as bad historians say) have been part-open and part-woodland. The photomontage shows that the Stones in the Henge would have looked beautiful  in a woodland clearing, as would the Cursus and the Avenues. The Stonehenge Riverside Landscape Project, led by Mike Parker Pearson, has emphasised the fact that the henge was not an isolated  ‘monument’ in the sense that war memorials are isolated monuments. Stonehenge was a complex feature in one of the earliest man-made landscapes in North Europe. It was, one might say, a context-sensitive design!

Burial Mounds

Winterbourne Stoke Barrows

 

 

 

 

 

 

 

 

Martina’s comments on ways of commemorating the dead bring us full circle to the Stonehenge site which has amazing burial mounds all around the surrounding countryside. Many have been ruined by the plough but as the English Heritage site above shows there are still some beautiful landforms. http://www.english-heritage.org.uk/stonehengeinteractivemap/sites/barrows/start.html