Category Archives: Garden Design

What is the difference between garden design and landscape architecture?

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Residential garden design - or landscape architecture?It’s worth looking to see what Wikipedia and Britannica have to say on this question. And I have to say that the Wiki entry on landscape architecture is a lot more useful than the Britannica entry on garden and landscape design. Britannica only let you have a quick glimpse at their text before a big black screen tries to sell you a subscription. But you have enough time to discover that the text is badly written garbage. Here is a sample: “Efforts to design gardens and to preserve and develop green open space in and around cities are efforts to maintain contact with the original pastoral, rural landscape. Gardens and designed landscapes, by filling the open areas in cities, create a continuity in space between structural urban landscapes and the open rural landscapes beyond. ”

The Wiki entry ( at 10.40 GMT on 1.7.2008) is so much better, or at least so much closer to my own view, that I suspect the author of having made good use of the Gardenvisit.com website. It states that: “Both arts are concerned with the composition of planting, landform, water, paving and other structures but: (1) garden design is essentially concerned with enclosed private space (parks, gardens etc), (2) landscape design is concerned with the design of enclosed space, as well as unenclosed space which is open to the public (town squares, country parks, park systems, greenways etc)”

Compared to Europeans, Americans tend to be a bit sniffy about garden design. They see it (as in the Britannica quotation above) as a subsection of garden design. This makes garden designers inferior people, because they can only do a fraction of the work undertaken by landscape architects. The American Society of Landscape Architects (ASLA) only introduced a professional award for garden design, actually called “residential design” in 2005: ” The ASLA 2005 Professional and Student Awards program features a new category—Residential Design—drawing more than 120 entries in its inaugural year. Cosponsored by Garden Design magazine, awards in this new category will be presented on Monday, October 10, during the ASLA Awards Ceremony. A special luncheon honoring all award recipients, their clients, and professors will be held following the ceremony.”

Personally, I see garden design as much closer to a fine art than landscape architecture. Art is for art’s same and gardens are for garden’s sake. Landscape architecture is often for a public or private body with a shedful of axes to grind. It is similar to the distinction between painting and graphic design or between sculpture and product design.

Plant combinations and planting design

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Bad advice on the beauty of gardens

Having long believed that good plant combinations are a key to successful planting design, I was pleased to get a copy of The Encyclopedia of planting combinations by Tony Lord and Andrew Lawson (Mitchell Beazley, 2005). They are both expert photographers and Tony Lord, who wrote the text, is a former Gardens Advisor to the UK National Trust. Unsurprisingly, the photographs are excellent – if not quite as excellent as one might have expected. Disappointingly, most of the text is about the individual plants. Since there are many books on individual plants, this could have been omitted. The plant descriptions are followed by remarks on plant combinations and, as one might expect from a pair of photographers, they have a good eye for line, colour and texture.

The most surprising thing about the book is the appalling standard of the introductory section on ‘The art of combining plants’. It reveals the author to have no understanding of garden design as a fine art and somewhat reminded me of books written in the 1920s. Take the opening statement as an example: ‘A garden’s beauty invariably comes from the plants that it contains, the way they work together, and the overall effect they produce’. Does this apply to the Alhambra, to Versailles, to the Taj Mahal or to Rousham? Of course not. A garden is a composition of five elements: landform, vegetation, structures, water and paving. If one element is strong and the other four are weak you will not have a truly great garden.

After this blinkered introduction, the first sentence is ‘Making a successful garden is a question of balancing what is already there with what is required of the plot’. But what IS ‘required of the plot’. The author does not say. The second section (p.13) opens with the sentence ‘Once any hard landscaping is in place, selection of the plants can begin’. Goodness gracious me! You should not employ a gardener when you want your central heating fixed – and you should not employ a horticulturalist when you want a design for your garden. Similarly, the UK National Trust should employ horticulturalists for horticultural advice and garden designers as gardens advisors.

Hampton Court Palace Flower Show 2008

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Hampton Court Palace Garden Show

London has two great flower shows: Chelsea in May (see 2008 Chelsea Review) and the Hampton Court Palace Flower Show in July (see 2008 Hampton Court Review). I went to Hampton Court yesterday. It rained as I entered and rained as I left – but the sun appeared in between and it was a good day. My interest, of course, was the garden designs. The RHS Best in Show went to a very worthy design by Dorset Cereals for an Edible Playground. It was a good idea for an outdoor learning area, and well made, but it does not make a contribution to garden design as a fine art. The Gardenvisit.com Design Award for Hampton Court 2008 went to the Holiday Inn Green Room designed by Sarah Eberle. Elegant and well-made is scored highly for being just the kind of space we should be making for the city of tomorrow – instead of those wretched garden-centerey plots made by the UK housebuilders who have seen such a spectacular decline in their businesses over the last 12 months.

A focus on domestic gardens is the strength of the Hampton Court Show. Chelsea provides haute couture for gardeners – nice for window shopping but with garden designs on the expensive side of exorbitant. Hampton Court is more like Oxford Street. Designers learn from Chelsea and use the ideas for everyman. To make this policy more apparent, we recommend buying some special fencing for the Hampton Court, to replace the standard contractor’s wire. This would not be to keep people out, as at Glastonbury. It would be to draw people in and provide more context for the garden designs. The fencing designers should learn from Hollywood and make fences which look like English streets from both sides. Visitors would then queue at house doors and enter a garden world, filled with garden designs they can relate to. This is what Oxford Street stores use mannequins for. At present, the garden designs at Hampton Court float in a sea of tents.

We would also like to see a London Garden Summer Show, spread through the capital and lasting for the summer season ( See our note on the proposed Chelsea Fringe Flower and Garden Show).

The Principles of Garden Design

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The Principles of Garden Design, eBook by Tom TurnerI had an idea for a book on the principles of garden design about 20 years ago. The publishers I offered it to (Mitchel Beazley, Francis Lincoln and Conran Octopus) each invited to me meet them and said it was a ‘very interesting idea’. But they did not sign me up and the idea went on the back burner. Some of the content went into the final section of City as landscape (Spon 1998) and when the idea returned to the boil in 2008 I decided to do an eBook. It is now available under the Gardenvisit.com imprint: The Principles of Garden Design, Tom Turner (ISBN 978-0-9542306-2-3, 45 pages, 130 illustrations, 2008). Comments would be most welcome and journalists can request review copies.

The basis of the book is that Garden Design is much subject to the Vitruvian principles as any other field of design, though they need to be adapted. In short:

  • Gardens should be beautiful
  • Gardens should be useful
  • Gardens should be well made with good materials

These points are discussed with 130 illustrations and I am puzzled as to why they are not already embedded in the literature of garden design. Idle chat about ‘year round interest’, a ‘blaze of colour’, ‘focal points’, ‘specimen plants’, ‘water features’ etc is all very well – but it is no substitute for having a firm grasp of the principles of garden design. To draw an analogy with cooking, we can say that an over-reliance on recipes is no substitute for a grasp of the principles: use good materials, don’t overcook, take care with the sequence of dishes.