Monthly Archives: May 2009

Fiberglass garden planters

Warwick Vase re-created in fiberglass

Warwick Vase re-created in fiberglass

We were pleased to discover that the owners of Warwick Castle agree with us about the high quality which can be achieved by using fiberglass to make garden planters. Since the original of the famous Warwick Vase is now in Glasgow, they sensibly commissioned a substitute made in fiber glass, as in the photograph above.

The fiber glass planter supplied by Crinklecrankle.com, below, is also in a public place. Compared to terracotta, it is much stronger, much lighter, frost-resistant and better at retaining water.

Terracotta coloured fiberglass planter in winter

Terracotta coloured fiberglass planter in winter

Kenilworth Castle Elizabethan Garden Restoration

Kenilworth Elizabethan Castle Garden

Kenilworth Elizabethan Castle Garden

It is not beautiful. This is the main problem with the Kenilworth Castle garden restoration. They should have put a talented garden designer in charge of the project, with instructions to listen to the historical experts and be sure to produce a beautiful result. Tudor craftsmanship was excellent. This project looks as though it belongs in an upscale garden centre near the M25.  The aviary is too big. The fence is too low. The obelisks are too high. The lawn-fringed paths are a total historical anachronism. The elements of the composition are out of scale with each other. It does not have the charm of a medieval garden or the dignity of a renaissance garden. It is a codge-up.

Press coverage of this significant garden restoration has concentrated on the cost (£2.1m). I disagree: if anything the budget was too low for a worthwhile project, justified by (1) an archaeological investigation which found the base of the original marble fountain (2) the remarkably detailed description in the Robert Langham Letter, describing Queen Elizabeth I’s visit to Kenilworth Castle in 1575.  An excerpt from this letter is quoted below. I worry about Simon Thurley’s garden judgement with regard to gardens.  He made a similar mistake with the restoration of the Privy Garden at Hampton Court. There many other things which could have been done with the money – and I would rather have seen a re-creation of a medieval castle garden.  We have enough Tudor re-creations from the BBC without EH jumping on this bandwagon – they must be wondering how they could manage some Jane Austen re-creations. If EH thought renaissance gardens looked like this, they should visit Italy and France.

An excerpt from Robert Langham’s letter about Queen Elizabeth I’s visit to Kenilworth Castle in 1575: “Along the castle wall is reared a pleasant terrace of a ten foot high and a twelve broad, even underfoot and fresh of fine grass, as is also the side thereof toward the garden, in which, by sundry equal distances, with obelisks, spheres and white bears all of stone upon their curious bases by good show were set; to these, two fine arbours redolent by sweet trees and flowers, at each end one…. Then, much graced by due proportion of four even quarters, in the midst of each upon a base a two foot square and high, seemly bordered of itself, a square pilaster rising pyramidally of a fifteen foot high, symmetrically pierced through from a foot beneath until a two foot from the top, whereupon, for a capital, an orb of a ten inches thick…Redolent plants and fragrant herbs and flowers, in form, colour and  quantity so deliciously variant, and fruit-trees bedecked with their apples, pears and ripe cherries. And unto these in the midst against the terrace a square cage, sumptuous and beautiful, joined hard to the north wall…. In the centre (as it were) of this goodly garden was there placed a very fair fountain, cast into an eight-square, reared a four foot high, from the midst whereof a column up set in shape of two atlantes joined together a back-half, the one looking east, the other west, with their hands upholding a fair-formed bowl of a three foot over, from whence sundry fine pipes did lively distil continual streams into the receipt of the fountain”




Green Roof Typologies

Jorn Utzon called green roofs  ‘the fifth façade’ and there are many ways in which the public can interact with the new  landscapes evolving on roofs in our cities. Green roofs can be public space, private space or ecological space.

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Fly-over roof (photo courtesy Eyesplash Photography)

The Vancouver Convention Centre is a great example of a green roof that is best viewed from on high, to appreciate the relationship between the man made and the natural landscape. The promotional images for this fantastic new building http://www.vancouverconventioncentre.com/thefacilities/image-gallery/ suggest that Vancouver has understood much of what has been achieved with this building But the full potential of the roofs as integral parts of cites  has yet to be  fully realised.

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Walk-on roof (photo courtesy cityofsound)

Synthe Roof garden in Los Angeles is a laser cut roof surface that has been sculpted for landscape opportunities and for foot traffic on the surface. The garden is in the care of a popular restaurant in the building below. From this vantage point a different perspective on the city of Los Angeles is possible, as is the potential for more interesting forms of roofscape use and greening. This roof design suggests that new forms of roof + garden will be discovered through the green roof concept.


green seating

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green roofs, green streets, green walls. how about some green seating?

this prototype bench incorporates a trellis to allow plants to grow around it. its a little clunky at the moment, but the design and construction are deliberately lo fi, so it makes a good Do It Yourself project. also i imagined it, when overgrown, looking something like a 3d Mondrian painting, as the photoshopped images here, hopefully show.

Conceptual design for architecture and landscape

phaeno_science_center1 Zaha Hadid has a wonderful design sense – she could have been a sculptor. The BBC devoted a profile to her recently ( http://downloads.bbc.co.uk/podcasts/radio4/profile/profile_20090404-1900a.mp3 ) and in it Simon Jenkins remarks that ‘I don’t think she does context: she does concept’. He imagines all her buildings isolated in the Iraqi desert – like the Phaeno Science Center (photo courtesy maurizio mucciola) in Wolfsburg. It was a world-scale tragedy when, in 1893, the World’s Columbian Exposition turned the course of American architecture away from Sullivan and Wright and back to Italianism followed by European Modernism. The BBC  also broadcast  an excellent profile of Frank Lloyd Wright on 9th April 2009 http://www.bbc.co.uk/iplayer/console/b00jjjpv. He drew on the classic inspiration of landscape architecture: NATURE.