Pinjore Yadavindra Mughal Garden

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Pinjore Gardens deserve more recognition as an example of the Mughal style. There is much more which could and should be done but the restoration work already carried out is good and the water features work most of the time. The lower section of the garden is of particular interest and with more work could become India’s best example of the ‘fruits and flowers’ approach to planting design which was once the predominant character of Indian gardens. Constance Villiers Stuart, who made the first serious study of Indian gardens, was well aware of this and wrote about Pinjore in her book: see C.M Villiers Stuart Gardens of the Great Mughals .

Edwin Lutyens read Villiers Stuart’s book when working on the design of New Delhi and Le Corbusier visited Pinjore when working on the design of Chandigarh. She surely influenced Lutyens design for the garden of the Governor’s Place in Delhi – and Corbusier might have done a much better job of Chandigarh’s Capitol Complex if he had learned more from Pinjore.

 

 

Should London be a National Park?

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The current proposal for London to be a National Park appears, to me, ill-conceived. It is a great city and its open space planning needs staffing and funding, but I can’t see sufficient kinship with the national park concept. Let’s recall the history of the concept. It began in America as an idea for giving the new world something of similar cultural significance to the ‘monuments’ of the old world. So they chose tracts of unspoiled scenery. This appealed to the British. We did not have any unspoiled scenery so we chose areas of high scenic quality instead. Some parts of London undoubtedly do have high scenic quality – but they are already designated as conservation areas and enjoy protection within the planning system. What London does need is a Landscape Authority to get on with work on the All London Green Grid. If London were to have something more on like a National Park Authority it should be a Thames Landscape Agency, as argued in the above video. The Port of London Authority is making a mess of managing the river for anything other than commercial traffic.

 

Dry stone walling in Crossbones Garden, a 2015 Chelsea Fringe event

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Dry stone walling is flexible; it does not use mortar; it is good for wildlife; it is a sustainable. The only minus points arise if fuel is used for quarrying and transporting the stone.
This video is of a Chelsea Fringe event in Crossbones Garden, near London Bridge Station. Participants receive a certificate of attendance at the end of the session. John Holt is a great teacher.

Lee Rigby Memorial bikers ride from Greenwich Park to Woolwich 22 May 2015

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In addition to many other design objectives, public parks should be designed as good places to hold public events and demonstrations. The main avenue in Greenwich Park was not designed for this purpose but serves it very well, as here for a memorial event for a British soldier, Fusilier Lee Rigby of the Royal Regiment of Fusiliers, who was attacked and killed by Michael Adebolajo and Michael Adebowale near the Royal Artillery Barracks in Woolwich. Rigby was off duty and walking along Wellington Street. Two men ran him down with a car, then used knives and a cleaver to stab and hack him to death. Armed police officers arrived five minutes later. The assailants, armed with a gun and cleaver, charged at the police, who fired shots that wounded them both. They were apprehended and taken to separate hospitals. Both are British of Nigerian descent, raised as Christians, who converted to Islam (info from Wikipedia).

Review of the show gardens at the 2015 Chelsea Flower Show

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Please see this page for video reviews of selected show gardens.
I’ve been too hot at Chelsea and I’ve been too cold. On Press Day, in 2015, I was too wet and too windswept. When the sun came out in the afternoon, the Press had to leave so that the Royal Family could enjoy the show. I’m not a republican, yet, but the rain did fall like stair rods. So what of the design quality of the Show Gardens? I thought some of the Fresh Gardens, on Royal Hospital Way, were better than most of the large gardens on the Main Avenue – some of which could be described as Stale Gardens.

Great Garden Design by Ian Hodgson – review

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Ian Hodgson Great Garden Design book jacket

Ian Hodgson Great Garden Design book jacket

The Society of Garden Designers has produced a very good book on garden design. I commend it to anyone commissioning a garden and to future historians of garden design.
The section I like best, on Outdoor Experiences, deserves to become a book in its own right. There are only four sections, on Relaxing, Dining, Playing and Bathing.  But there are subsections, so that Dining includes Cooking Outside, Keeping Livestock and Growing Your Own.
This approach to garden design comes, in the UK, from John Brookes. His Room Outside, first published in 1969, launched British garden design on its profression from the Arts and Crafts Style to Modernism. In his introduction to Great garden design Brookes draws attention to the way in which ‘this book breaks down the overall plan of a garden and deals with the various sections and functions it may include’.
A failure to grasp the key principle of Modernism hindered, and hinders, the development of garden design. ‘Form follows function’ is the most convenient summary of Modern Movement principles but caused problems for garden designers. ‘What’ they wondered, ‘are the functions of a garden?’ My criticism of Great garden design is a weakness in the history and theory of garden design.
After Brookes’ Forward and an Introduction by Ian Hodgeson (the author) there is a chapter on Contemporary Garden Styles. A section on Sourcing Inspiration is followed by a section on Choosing a Style – which struck me as a return to the high Victorian eclecticism of Edward Kemp and the Mixed Style. It is followed by a menu of styles. Their names are Contemporary Formal, Urban Chic, Cottage and Country Style, Natural Style, Water Gardens and Subtropical Style. This is a departure from Modernism but I would not call it Postmodern and nor do I think the categories will be of use to those future garden historians who come across this useful and very well-illustrated book.
Great Garden Design was published 5th March 2015 by Frances Lincoln www.franceslincoln.com.