Has London gotta lotta bottle? – or too many garks?


The Urban Dictionary gives these meanings for ‘bottle’:
1)Transparent Container, usually for liquids that is narrow, circular-based, mostly handle-less and with an ever-narrowing top, where the opening is found.
2) To hit someone on the head with a glass bottle, smashing the bottle in the process.
3) Guts or determination
4) Female with no volouptous features, in comparison to 1)
So ‘Yes’ for its urban space. But ‘No’ for its many garks.

A vacant London gark

Postmodern landscape architecture by Peter Walker and Partners?

Sometimes, I wonder if landscape architects have borrowed my diagram of the postmodern style and scanned it into their computers. But since this design for a reflecting pool and fountains at Children’s Park and Pond in San Diego, California (by Peter Walker) won an an ALSA award in 1998 it would be better to ask me if I used it when drawing my style diagram – in 1999. The answer would be ‘No’ and I would classify the design as ‘geometrical postmodernism’ rather than ‘ecological postmodernism’ or ‘functional postmodernism’. The Peter Walker website puts it like this: ‘ An outdoor space for the Children’s Museum, this project transforms the traditional elements of a park — turf, flowers, benches, shade, and water — into whimsical abstractions. The vast horizontal expanse of a two hundred-foot wide pond is reinforced by a circle of tall Mexican fan palms. A fountain animates the pool with a grid of Rainbird sprinkler heads. The monumental pond also articulates the intersection of the park and the linear Martin Luther King Jr. Promenade, as it is literally traversed by the tracks of both light rail system and train.’ – and the key word is ‘whimsical’.
Picadilly Gardens in Manchester, by EDAW, also resembles my diagram but the design was done in 1998.

Global warming and cultivation of the grape vine in England

When John Harvey became President of the Garden History Society, in 1984, the great medieval historian suggested bringing back the grape vine as an ornamental plant. He explained that: ‘From very early times until the eighteenth century the vine was one of our chief garden plants, quite apart from attempts to make wine in England or to obtain dessert grapes – though both these enterprises had considerable success. As a climber, against walls or used to cover arbours and tunnels, the vine is outstandingly beautiful and, in several varieties, completely hardy in most of Britain. This is brought home to us when we realize that one of the largest and oldest vines ever grown was in the open air in the High Street of Northallerton, surely one of the coldest and draughtiest towns in England. The grape-vine was, and could be again, one of the greatest beauties of our gardens.’ (Journal of the Garden History Society, Spring 1984, p.5). The seemingly ever-warmer summers with which Global Warming threatens to bless England reinforces Harvey’s suggestion: Bring Back The Grape Vine.
The vine was probably introduced to England by the Romans and the image (courtesy Gauis Caecilius) is of a vine pergola at Fisbourne Roman Palace.

The Easter Island Path to Perdition could show where humanity is heading

Following the below comments on Attitudes to life, death and trees in western culture and ‘civilization’, I thank Anoldent, for his photograph and his account of the Fifteen Moai on Easter Island: ‘Moai were status symbols. The more you had and the bigger they were, the greater your village’s status. Unfortunately, moving them around the island required many trees, and when the last trees were cut on the once heavily forested island, the topsoil blew away, the islanders could no longer build fishing boats, or even escape the ensuing famine. Wars erupted and the culture collapsed. An environmental cautionary tale. The island is still largely treeless.’ On a larger scale, too many humans think this way: ‘the more you have the better you are’: more rooms, more people, more buildings, more cars, more economic growth. But for humans who inhabit an island or a planet, aiming for more may result in less. Let’s call it ‘the Easter Island Path to Perdition’, and let’s be sufficiently optimistic to believe that the ‘civilization’ of cities will be replaced by a sophisticated landscape urbanism.

Attitudes to life, death and trees in western culture and 'civilization'

Attitudes to trees in Ancient West Asia and Early Christian Europe

Attitudes to trees in Ancient West Asia and Early Christian Europe

The illustrations show a Tree of Life (above left) in ancient West Asia, the felling of a Sacred Tree by St Boniface (Thor’s Oak, above right) and a Hanging Tree during the 30 Years War (below).

Jacques Callot, The Hangman’s Tree, 1633,

Jacques Callot, The Hangman’s Tree, 1633,


What do the illustrations tell us about changing attitudes to trees in western civilization? Here are some possibilities:

  • the ancients saw trees (and forests) as symbols of the natural forces which control the world
  • the early Church regarded tree-worship as idolatrous, because there is only one true God
  • both trees and people were destroyed in the religious wars of the seventeenth century

In clearing and ‘managing’ what is left of the world’s forest cover we may be marching in the path of the Easter Islanders. At present, the most densely wooded countries are Finland (86% of the total land area), Sweden (57%) and Austria (47% ). Australia, suprisingly, has 20.1% forest cover. The European countries with the least forest are Ireland, with 8% of the land as forested and the United Kingdom with 11%.

Gardening on the roof, don't pass on the past….

What can the past teach us about gardening in the present?

Undoubtably our ancestors were more agriculturally minded and more in tune with the rythmn of nature than we are today. The urban environments in which many of us live are climate modified, we buy our food from the supermarket and we heat and cool our living spaces. 

Perhaps by revisiting previous garden traditions – such as the zen tradition in Japanese gardens – we can begin to imagine a variety of ways of utilising our urban roof spaces for a variety of purposes.

The project to document Middle Eastern garden traditions is likely to provide a valuable source of inspiration for the future as well as potentially preserving and enhancing our knowledge of the past. Don’t skip the drawings.

The art of sketching and drawing can itself through film and projection techniques transform the urban landscape and create a virtual landscape….and a new way of thinking about ‘green’ surfaces.

A book for the landscape architect to die for is Sketch Landscape. There are many ways of communicating ideas, and this book  has 500 sketches and scribbles by some of the best.