Permaculture as an approach to planting design for landscape architects

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Permaculture at Glovers Street Organic Community Garden in Sydney

Permaculture at Glovers Street Organic Community Garden in Sydney

Permaculture is an attractive idea and may become an economic necessity (as argued in the video below) when the oil supply begins to run out. Permaculture relates to the ancient agriculture of West Asia but, in its modern form, originated in Australia and was popularised by Bill Mollison. My worry is that too often it looks cheap and nasty, with coloured plastic, rusty iron, wire and junk. My hope is that landscape architects will make it more beautiful and more efficient – so that food forest gardening can become one of the standard approaches to managing vegetation in urban and rural areas. I can add to my concerns about London’s 2012 Olympic Park the fact that it is being designed for recreation, aesthetics and biodiversity only – not for urban food production.
The above image, of Permaculture at Glovers Street Organic Community Garden in Sydney, illustrates the point that if Permaculture is to win the success it deserves then it must look good as well as being good. See the video, below of a beautiful Devon farm and also these links http://video.google.com/videoplay?docid=-6370279933612522952#docid=-918331001764551597 http://urbanhomestead.org/

A 2008 paper from DEFRA examined the UK’s food supply and supplied these figures

  • pre – 1750 around 100% (in temperate produce)
  • 1750 – 1830s around 90-100% except for poor harvests
  • 1870s around 60%
  • 1914 around 40%
  • 1930s 30 – 40%
  • 1950s 40 – 50%
  • 1980s 60 – 70%
  • 2000s 60%

The amazing figure of 70% in the 1980s was caused by the fabulously generous EU agricultural subsidies. Food prices and the proportion of GDP spent on food has been in decline for half a century. It is now rising and this could be the stimulus to make the UK self-sufficient in food. This ignores the UK’s reliance on oil to produce the food but, as argued in the video, this problem could be solved by a change to forest gardening and permaculture techniques.

See the entire world as a blazing inferno. Then, when all has turned to ashes, enter bliss.

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I often light candles for people I know in European churches and cathedrals. I don’t really know why I do this because I am not a Believer. I am also fascinated by the use of incense in Asia. I like the habit even more now that I have just read this:

The practice of offering incense, with a bow, to the Taoist altar is called Baibai. As the incense burns, smoke rises, and ashes fall. The ashes represent impure air that sinks; the smoke, pure air that rises. So the offering represents the separation of pure from impure – the refinement and purification of internal energies. It also symbolizes the human body as being the meeting-place of Heaven and Earth: as the smoke rises, and the ashes fall, we make a connection with both earth and sky.

This temple is in the countryside around Chongqing and houses a rock Buddha some 9 meters tall, the building makes its own connection between the earth and the sky. The title quote is from the Vijnanabhairava Tantra.

How green is my neighbourhood?

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One of the unfortuneate consequences of the fight against urban sprawl, which has been largely taken up in the name of Jane Jacobs, is the loss of green space and the urban forests of many communities. They are disappearing in the manner environmentalists call ‘death by a thousand cuts’, that is (sometimes) slowly and incrementally.

Sherwood Forest is one of the old, upscale, districts of Detroit, ‘the city of Neighbourhoods’;

“Developers thought that the area should resemble an English village; thus, they selected appropriate English names and curved and winding streets. You will not find a rectangular street pattern here or in old English villages. There are about 435 homes, most of them built before the Depression terminated housing construction in the city. Many of them are Georgian Colonials or English Tudor homes in keeping with the English theme. Some of the homes are newer, having been constructed after building resumed in 1947. They are large, even by the standards of early 21st-century architecture since they average about 3,600 square feet with four to six bedrooms.”

In the adjacent suburb of Palmer Woods is the Dorothy Turkel House by Frank Lloyd Wright, which undoubtably also relies on its leafy surrounds for its ambience.

British biologist Professor Jeff Sayer in his lecture at James Cook University asked the apt conservation question, ‘Conserving the forests for whom?’

The Englishness of English policy, English gardening and English gardens

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A video clip of a 71-year-old lady using her handbag to stop a gang of thieves robbing a jeweller is being shown everywhere. Ann Timson deserves to be memorialised in a park or garden. She encapsulates a strand in English foreign policy and English garden design. Instead of making a permanent alliance with any foreign power, England’s aim was always to maintain a balance of power and to support the rights of small countries. Burglars had to be fought. Bullies had to be defeated. It was self-interest. Nor was any foreign style of garden design ever adopted in its entirety. Nor is any one plant allowed to dominate a garden. Young plants are cherished like children – and then ruthlessly cut back when they begin to overwhelm their neighbours. A good place for a statue of Ann Timson bashing the burglars would be at the other end of Victoria Tower Gardens from Rodin’s Burghers of Calais.

Note: if the Youtube link does not work, the video can also be seen here and here or, with an advert and an American commentary, here.

The prospects for an International Society for Garden Archaeology

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This is not a disused railway siding in Birmingham. It was once the grandest garden court in Europe's grandest palace: the Palace of the Emperors on the Palatine Hill in Rome. Something should be done. But what?

I was very pleased to hear from Kathryn Gleason about the foundation of International Society for Garden Archaeology. The Gardenvisit blog has a number of posts on garden archaeology and I have gleaned the following thoughts from them:

1) the work archaeologists do on archaeology is of great value, for the information it yields and for the carefulness of their approach. But the work archaeologists do on garden ‘restoration’ and ‘management’ is generally terrible. It tends to lack each of the three essentials for dealing with historic garden sites: (a) a broad perspective on garden history (b) design judgment (c) technical knowledge of construction techniques and building materials (d) technical knowledge and skill with plant material and techniques of plant management
2) garden archaeologists should take an interest in two separate but related issues (a) the investigation, care and management of what are primarily archaeological sites (b) the investigation, care and management of what are primarily garden sites
3) I admire the garden archaeological work of Wilhelmina Feemster Jashemski (at Pompeii and Herculaneum) and of Barry Cunliffe (at Fishborne Roman Palace) but I do not admire they ‘resotrations’ of Roman gardens.
4) the archaeological principle of preserving evidence should have a strong position in the care and management of historic gardens
5) the current condition of the garden courts in Rome’s Palace of the Emperor’s (on the Palatine Hill) is depressing
6) the vast crowds who course through the Emperor’s garden in the Forbidden City (in Beijing) are wearing away the wonderful pebble paving.

Turfing the grand courtyard on the Palatine was wrong. But what should be done? To answer the question one needs historical and design judgment underpinned by a detailed knowledge of Roman planting and construction. But I am doubtful about any kind of restoration on such an important site.
Image of the Palatine courtesy Jeff, Jen and Travis

Five-Foot Flooded walkway by the River Thames in front of Greenwich University

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The level of the Five Foot Walk in front of Greenwich Hospital (now Greenwich University) is just above the mean high tide level of the River Thames and about 1 metre below the flood defense level in this part of London. It therefore enjoys frequent floods – as do those who use the walkway. They run, jump, climb and carry each other through the water (more often boys carrying girls than the other way about for some reason). Despite this wonderful example, all the new walks beside the Thames are built high above the flood defense level. This costs more money and separates people from the water margin where, in Desmond Morris’ view, their ancestors evolved. And the separation is ugly.
The name Five Foot Walk is a reminder that the commissioners of Greenwich Hospital did not want any public access in front of their fine buildings but, after a long battle, were forced to concede a walk with a maximum width of Five Feet (1.52m). No problem – it is wide enough almost every day of the year. But post-Abercrombie riverside walks tend to be 5-7m wide. Why? Because the town planners are unobservant nutters who know so little about landscape architecture that they see no need for expert advice. See note on London’s Riverside Landscape (Abercrombie’s diagram is at the foot of the page). I speak as an ex-Town Planner – who proudly resigned from the Royal Town Planning Institute (RTPI) because the organization was devoid of idealism and imagination. It reminded me of a local government trades union and it was a great relief when the RTPI Journal stopped squirming into my letter box.