‘Father, forgive them, for they know exactly what they do’. (adapted from Luke 23:34). I have always liked Wakehurst Place and have put it on the dustjacket of a book – but I criticised Wakehurst Place last year and after another recent visit am being driven to conclude that it is being over-Kewed.
A plaque near the house is dedicated to ‘Sir Henry Price Bt. who in 1963 presented these lovely gardens for the education and enjoyment of all who visit them’. Two questions must be asked ‘Education in what?’ and ‘Enjoyment of what?’ The apparent aim is to convert a beautiful place into a spotty collection of specimens.
When Wakehurst Place first appeared on Gardenvisit.com, about 10 years ago, we received an anquished email along the lines ”Call us pigs or Pakis if you must but please PLEASE do not call us Gardenesque’. But why shouldn’t Wakehurst Place be a place for ‘education’ and ‘enjoyment’ related to the Gardenesque Style? Properly understood and executed, it is one of the most-English and most-appreciated styles of garden design. My recommendations for Wakehurst Place are:
– an Arts and Crafts area around the house
– a Gardenesque section at the head of the valley
– a full-scale Landscape transition to a Sublime lake at the foot of the valley
But as Geoffrey Jellicoe argued, Creative Conservation is often the best policy for historic gardens and landscapes. Should this be wanted, the garden managers could also consider
– seasonal and thematic ribbons interlacing the estate
But an even more important step would be to appoint a Design Manager for Wakehurst Place. If the manager’s skills are only horticultural then the future of gardens is to become more botanical, less Beautiful, less Picturesque, less Gardenesque and less Sublime. Let’s hope I’m wrong.
Note1: the above photographs of the bridge at the head of the valley are looking in opposite directions
Note2: by ‘over-Kewed’ I mean ‘too much of an emphasis on botany’ – Kew Gardens are in fact getting better looking year-by-year.
Geoffrey Jellicoe had some fanciful ideas about gender and design:
“In landscape he will discover that in general the love of intricacies, enclosed places and flowers is a feminine instinct traceable back through the Picturesque and the mediaeval ladies’ garden to the original forests; and the love of open spaces and grandeur is the male instinct traceable back through Capability Brown to the hunting savannahs.”
Does this suggestion of Jellicoe’s point to the genius of English Garden Design being is its balance of the masculine and the feminine?