Category Archives: Garden Visiting

Canterbury Cathedral and the social use of cloister gardens in English monasteries

Domestic use of Canterbury Cathedral Cloister is appropriate, but I do not think it should have been used as a graveyard

Canterbury Cathedral has beautiful cloisters. They were rebuilt in the fifteenth century on the site of the eleventh century cloisters built by Archbishop Lanfranc (c. 1005–1089) for Christ Church Canterbury. Lanfranc was born in Pavia (Italy) and brought to England by William the Conqueror. A water system was installed and a plan of the cloister drawn c1165. ‘This is a bird’s-eye view of the entire convent, drawn in accordance with the artistic methods of the time, and exhibiting the cathedral and monastic offices, viewed from the north. The water-courses are minutely shewn, with all their arrangements from the source to the convent, and its distribution to the monastic offices, supplying lavatories, cisterns, fish-ponds, etc., and finally flowing, in conjunction with the rain-water from the roofs and the sewerage of the convent, into the town ditch. As the drawing was probably made after the system was completed, we may for convenience assume its date at 1165, two years before the death of Wibert, and five years before the murder of Becket’. But what was the cloister used for? We can discover something from The monastic constitutions of Lanfranc By Lanfranc (Archbishop of Canterbury), trans David Knowles and Christopher Brooke:

p. 27 After their meal they shall sit in the cloister until the servers leave the refectory.
p. 35 There shall be a precession through the cloister as usual on Sundays.
p. 49 On Maundy… the cellarer and almoner and others appointed shall lead the poor into the cloister and cause them to sit
p.65 When all have received Communion the board shall be struck and the evening prayer take place. When this is done they shall go out into the cloister and wash their feet in warm water, and put on their day shoes.
p. 75 On Rogation Days… no sleep is taken in the afternoon… but at a fitting hour the masters shall waken the children as quietly as possible, and when these are reading in the cloister those who are still abed shall rise without delay p. 109 If it be an abbot who is received, he shall stand before the dore of the chapter-house and kiss the bretheren as they come out.
p. 131 Whossoever wishes to speak with the abbot, prior or any monk of the cloister shall use the guestmaster as his ambassador.
p.139 On other days when there is talking in the cloister, he who needs to he shaved may, by permission of the abbot or prior, be shaved in the cloister.

Note1: Technically, the ‘Cloister’ is the part of a monastery to which the public do not normally have access. The ‘Garth’, or garden, was the green space we now call a cloister.

Note2: in view of the appalling revelations of what catholic priests did to children in the 20th century, one worries about how much worse things were in earlier centuries. Rogation Days were set apart for solemn processions to invoke God’s mercy.

Kerb – is landscape architecture dead? – a magazine review

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RMIT University in Australia publish the annual publication Kerb and Vol 17 asks the question ‘Is landscape architecture dead?’. It is a good question and a handsome volume with interesting illustrations. But most of the articles in Kerb led me to think that ‘if this is the future of landscape architecture, then it deserves to die’. The images do not have either captions or any discernable relationship with the text. Most of the 26 articles are inconsequential: significant questions are asked; random assertions are made; obscure paragraphs abound eg1 ‘Contemporary landscape architecture has not produced an aesthetic paradigm that describes the vicissitudes surrounding the idea of nature today’ (p 10), eg2 ‘landscape is not an object. yet this image of landscape is projected upon the world with each project you undertake’ (p.73) eg3 ‘interpret ‘scape as meaning ‘pretty dress up’. Dig up a Chinese creek bed, polish the booty, and dress up my ‘scape outside the screen door’ (p.92). But I must be wrong: many young Australian landscape architects come to work in London and they have earned a good reputation for Australia’s landscape schools.

Triclinium Roman dining tables

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A re-created Triclinium at Fishbourne Roman Garden

How did they do it? Romans ate on ‘three couches’ (a triclinium) with a table separating them (see Wiki on triclinium). There is a garden re-creation of a triclinium at Fishbourne Roman Garden and one can find some photos on the web of students eating this way. When I first came across the idea, I assumed the couches were only for orgies, so that you could eat yourself sick and misbehave at will. But no, a triclinium seems to have been the normal way for wealthy people to eat. I tried arranging the sofa to eat in this way. It was not good for my digestion, drinking was difficult and I did not explore my earlier ideas. The only advantage I discovered was that if one was eating sloppy food without a knife or fork then it was easy to get one’s mouth vertically above the plate, as one still does for spaghetti. I remain puzzled, but here are some German students with a foodless triclinium and here is a painting of a Roman banquet.

Cothay Manor Garden

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Channel 4, in the UK, did a programme on Cothay Manor Garden this evening. Mr Alastair Robb (78) and Mrs Mary-Anne Robb (68) spend £40,000/year on running the house and only get £15,000 from opening the garden to the public. Mrs Robb said, rightly, that ‘most National gardens have lost their soul’ and that running the garden as the National Trust do would wreck its character. They have four children who say ‘we don’t want to spend every waking hour working, as you do’. But the parents gave the property to one of the children, to ‘keep it in the family’ and preserve their life’s work. Not all the other children were happy with this, understandably. Ruth, for Channel 4, suggests the solution re the income is to organize events (like sculpture exhibitions) to attract more visitors and make more money. I saw this tried in several gardens last summer, including Chatsworth, Hatfield House and Mellerstain, and thought the sculpture and the gardens did nothing for each other (or for the income at Cathay). Ruth also persuaded them to build a cafe-restaurant, which made the Robbs their first ever profit, with visitor numbers up from 5,000 to 15,000. Giving the property to one child, hopefully 7 years before the parents’ death, saves £1m in inheritance tax on a £3m property. Interesting.

Sericourt – A Garden for Remembrance Sunday

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The Yew Army at Sericourt

The title of Yve Gosse de Gorre’s book about his Jardin de Sericourt translates as ‘Wisdom and Folly in the Garden’. The garden lives up to the name and is filled with deep thinking leavened with humour.

Like Jencks’ Garden of Cosmic Speculation it is concerned with the meaning behind the form, but less about the nature of nature, and more about the nature of man.

In the classic French manner there is much use of box and topiary, but not only to provide the framework of the garden as you might traditionally expect – here the evergreen sculptures provide the form, the content, the rythmn and the meaning of the garden. There is one early ‘mixed border a l’anglaise’ created in the 1980’s, but after that the garden is an intricate grid of pathways and allees, rooms and vistas, all exploring a concept, and all inviting intervention and interpretation by the viewer. Charles Jencks garden was criticised last year for having become a ‘monologue’ instead of a ‘dialogue’, but Yve Gosse does not speak so much as open the pages of his book for the viewer to make up his own mind.

The Council of War at Sericourt

The Council of War – monumental, menacing or amusing?

The Millenium Cross

Charles Jencks Portrack Garden of Cosmic Speculation

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Charles Jencks has been making the most interesting postmodern garden in Britain, with the Prince of Wales Highgrove garden as its only rival. Jencks, as the leading theorist of postmodernism, has the stronger theoretical base and I daresay there is not much to chose between the gardens with regard to resource costs. The Prince is the clear winner on sustainability grounds.

Apart from its striking visual character, the most interesting thing about Jencks Portrack garden is the way it carries forward the ancient project of making gardens which imitate (mimesis) the Nature of nature. Jencks seeks to understand the nature of the world, through science, and to embody the nature of the world in a garden design. The pharaohs, Plato, the emperors of China, Alberti, Capability Brown, William Robinson and Charles Prince of Wales had the same intention. The results differ because their understandings of nature differ.

One criticism I have heard of Jencks’ Portrack Garden is that he is too literal in his ‘imitations’ of physical and chemical laws, principles and formulae. While not seeing this as a fault, I agree with the observation. The alternative would be to use the revelations of science as Jencks’ renaissance predecessors used optics and mechanics to produce remarkable visual effects and devices in gardens. Outside the garden realm, one of the most dazzling examples of what might be done, from the nineteenth century, is the Foucault Pendulum, demonstrating the rotation of the earth. “The direction along which the pendulum swings rotates with time because of Earth’s daily rotation. The first public exhibition of a Foucault pendulum took place in February 1851 in the Meridian Room of the Paris Observatory. A few weeks later, Foucault made his most famous pendulum when he suspended a 28-kg bob with a 67-metre wire from the dome of the Panthéon in Paris. The plane of the pendulum’s swing rotated clockwise 11° per hour, making a full circle in 32.7 hours.” It is not too late to be making Foucault Gardens, Foucault-inspired gardens and other gardens inspired by a scientific understandings of Nature.

Charles Jencks Portrack House

Image courtesy Marilyn Mullay

Garden Design and Landscape Architecture

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