Category Archives: garden history

Greenwich Park uses demountable buildings for the 2012 Equestrian Olympics

Andre le Notre's parterre is being used as a building site

Andre le Notre's parterre is being used as a building site

Andre Le Notre was the greatest landscape architect of the seventeenth century and he only designed one project in England. It was the parterre in front of the Queen’s House in Greenwich and it was selected as the best place to build a stadium for the 2012 equestrian olympics. This shows no regard for conservation and, if it had to be done, there should have been a full archaeological investigation and a full restoration plan for the surviving earthworks. They are not being damaged but nor is there any restoration plan.
Setting this issue aside, the scene illustrated above does make me wonder if Olympic structures should all be demountable, like the tent for the Chelsea Flower Show. The International Olympic Committee could spend less money on luxurious provision for its hated members and more money on a stock of re-usable buildings. The Montreal Olympics set a standard for profligacy and left the city in debt for 30 years. The Athens Olympics gave the whole country a taste for debt which took it well on the way to the country’s present financial predicament: ‘As of 2012 many conversion schemes have stalled owing to the financial crisis in Greece and most of the Olympic sites are either derelict or dilapidated.’ So why not have a stock of temporary structures which can be put up and taken down. Greenwich has shown that permission to build on EVEN THE MOST SENSITIVE HISTORICAL SITES can be obtained in a conservation-obsessed country. The principle to follow is that the after-use of any facilities should be planned and designed and funded before any temporary Olympic use is considered. This approach would be more sustainable.
Note: the ugly temporary fence in the foreground is the Royal Parks’ annual botched attempt to deal with the grass on what used to be the Giant Steps. The correct policy, which will surely be implemented at some point in the future, would be to use geotextiles to restore the historical feature. The underlying problem is that there are, so far as I know, no garden historians or landscape architects employed in the Royal Parks. It is like running a hospital with no doctors. Nursing is not enough.
It is appropriate for a Chief Executive of the Royal Parks to have a broad view of the role of parks in society, rather than a specialist view, but one does wonder if Linda Lennon’s background with the Parole Board and the Family Courts is ‘just the thing’. This may be what is needed for troubled parks in run down urban areas – but is it right for the Royal Parks in Central London? Maybe she just has the talent to run anything, as is assumed to be the case for the UK’s top civil servants.

Does Greenwich Park have the oldest avenue of trees in England?

The most important avenue in Greenwich Park, because it is grass, not tarmac, and because it has so many ancient chestnuts, is blocked by a Royal Bin Store for the cafe (above left - also note the design of the picnic tables, and sigh). When the bin store is removed the view on the right will be revealed. Queen Elizabeth I was born in 1533 in the palace of Placentia, in Greenwich, and learned to ride a horse in the park (not in this avenue, which was not planted until 1660-1, possibly on the recommendation of John Evelyn).

The candidates for ‘oldest avenue of trees in England’ include:

  • The yew trees in Westbourne said to have been planted in 1544.
  • The Bucklebury Oaks, also known as The Queens’ Avenues, which may have been planted to commemorate a visit by Queen Elizabeth I as well as a later visit by Queen Anne
  • Joris Hoefnagel’s drawing of Nonsuch Palace makes it look as though a line of trees leads to the entrance and there was a similar feature is shown on reconstructions of the Palace of Beaulieu

But the ‘correct’ answer depends in the interpretation of the question:

  • the processional route at Stonehenge is often described as an avenue and probably passed through trees for some or all of its length. Other stone circles (eg Callanish) also had what are assumed to be processional routes, as did Egyptian and Mesopotamian temples
  • the word ‘avenue’ (from the French avenir) was not used in English until the mid-seventeenth century. A similar feature made before this date would probably have been called an alley (from the French aller)

So on a strict interpretation of the word ‘avenue’, the oldest avenue in England may be in Greenwich Park. The chestnut trees, which survive, were planted c1660 and John Evelyn, who is recorded in the OED as the first English author to use the word ‘avenue’, may have advised on the layout. He had an avenue, which does not survive, in his nearby garden (at Sayes Court in Deptford). The best-looking avenue of old trees in Greenwich Park runs north from a point near the intersection of the Great Cross Avenue with Blackheath Avenue. The view along this avenue was blocked a few years ago by the erection of a ‘hit-and-miss’ fence round an outdoor rubbish dump for the park cafe. It makes one think that the Royal Parks, who manage Greenwich, either have no knowledge of garden history or no interest in garden history. So one does not know whether to conclude ‘forgive them, Oh Lord, for they know not what they do’ or whether to conclude ‘forgive them, Oh Lord, for they know exactly what they do’. But I regard the positioning of this rubbish dump as unforgivable. When an airplane crashes, an accident investigation team is established. There is a need for a similar investigation of the Royal Parks Agency. The Commission of Enquiry should have plenipotentary powers to call for papers, to summon witnesses, to take evidence under oath and to make binding recommendations, if necessary for the future involvement of expert garden historians and landscape architects in decision making for the Royal Parks. How many managers of Royal Parks have qualifications in garden history? Are there any qualified garden historians on the agency’s payroll? Several excellent landscape architecture firms have given advice on Greenwich Park but, so far as I know, no trained designers or historians have had a role in the Greenwich Park management hierarchy. And it shows. Greenwich Park is to be closed for a month in 2012 for the Olympic Equestrian Events. Wouldn’t it be wonderful if the rubbish dump were removed as part of the Olympic legacy to Greenwich Park?

Campaign to restore Jellicoe's Water Garden in Hemel Hempstead New Town

Thank you to Tamzin Baker for her article Streams of the subconscious, in today’s Financial Times, which lends support to the campaign for Dacorum District Council to restore the Water Garden which Geoffrey Jellicoe designed for Hemel Hempstead New Town. See also:

Jellicoe’s Subconscious Approach to Landscape Design
Could Hemel Hempsted’s Jellicoe Water Gardens be managed by volunteers?
Hemel Hempstead Water Gardens are a National Disgrace
Hemel Hempstead Water Gardens are getting worse and worse and worse.

 

London's Roman Palace Garden at Cannon Street Station

Roman palace garden image projected onto a minimalist wall at Cannon Street Station

Reading about London’s Roman archaeology, I was deligted to find that the site of the Provincial Governor’s Palace is open to the public. It is now the foyer of Cannon Street Station (ie the foyer is above the garden site). So I went to take a photograph. My camera went ‘click’ at 09.52.15 on 05.1.2012 and 57 seconds later a shifty looking man approached me with an ID card and we had the following exchange.
‘I am the station manager. Did you know that this is a private place and you are not allowed to take photographs?????’.
‘No. I thought it was a public place. Please can you show me the sign which says “No Photography”‘
‘There isn’t one. Do you have a sign in your house saying “No Photography”?????’
‘No but there is a difference between a private house and a ………..’
I could not finish the sentence because he interrupted me to say ‘I could call the police’. I asked him not to interrupt and made 3 more attempts to complete my sentence. It could not be done, so I ended the conversation with the remark that that ‘If this is how “station managers” waste their time it is no surprise that National Rail has operating costs way above the European average. It also has lower standards – and the staff are often impolite’.
No doubt he could have given me the Nuremberg defence ‘I was just following orders’ and to show I bear no personal grudge I have decided not to bill Network Rail for the imaginative proposal, above, for using his blank wall as a place on which to project illustrations of Roman Palace gardens. He should also install a Triclinum and train for the more rewarding job of serving Roman delicacies to customers suffering psychological damage from their experiences with London’s rail system.
The site of the Villa and Palace Garden of London's Roman Provincial Governor is now below the foyer of Cannon Street Station

The site of the Villa and Palace Garden of London's Roman Provincial Governor is now the foyer of Cannon Street Station

. Let us hope National Rail ‘read the writing on the wall’ and put on the Roman Palace Garden Projection as a contribution to the 2012 Chelsea Fringe Garden Festival.

Tim Mowl's Youtube garden history lecture on Claremont and William Kent

Congratulations to Tim Mowl for providing the best garden history content on Youtube (one can’t be quite sure: The FAQ says ’48 hours of video are uploaded every minute, resulting in nearly 8 years of content uploaded every day’). The lecture was given at Claremont Landscape Garden and was about the history of this garden and William Kent. Though Tim Mowl obviously knows more about the period than me, I offer the following comments:

  • Mowl mentions Renaissance Italy and Ancient Rome, in relation to the development of England’s eighteenth century gardens, but I wish he had said more about them.
  • In my view, Mowl over-emphasises the concepts of ‘nature’ and ‘geometry’ in explaining the ‘great revolution in taste’. Since most English garden historians do this, one can hardly complain. Conceptually ‘Nature’, belongs more to the history of philosophy than the history of art.
  • I would have like to have heard more about the transition from Baroque to Neoclassical, in art, literature and gardens. Conceptually, the links between these topics are closer than then link between gardens and philosophy. There is however no doubt about the importance of ‘Nature’ as a philosophical concept (rather than as a geometrical concept).
  • I agree about the eclectic character of the first (Augustan) phase of the English landscape garden, but see it as a consequence rather than a cause of the revolution in taste. The cause was a desire to see, know, understand, learn from and represent the classical world. ‘Eclectic’ is almost a term of abuse and ‘Historicist’ may be a more useful term.

See also:

Concepts of sacredness and beauty

It is likely that the history of Japanese gardens finds its origins in Shinto traditions. In particular the sacred nature of rocks: “from the ancient remains of rock arrangement” of the fifth century AD, we find a resemblance to existing Japanese gardens. “However it appears they were used for the spiritual rituals and not designed as a stone arrangement for the beauty of gardens.”

The earliest known Japanese gardening texts are a medieval text, Sakuteiki, and an illustrated text dating from the Muromachi period (1333-1573). The origins of Japanese garden design principles are said to be traceable back to these two texts. The location of Shinto shrines were near striking natural formations, waterfalls, caves, rock formations, mountain tops or forrest glens reflecting the idea that kami spirits were located in nature. The earliest shrines were mounds, caves or groves. Kami occur in two categories (object kami) and mythical and historical persons (active kami). Illustrated is off-shore rock kami.

The following story is related of an off-shore rock just off Oshima:
“The kami enshrined here is Ichikishimahime, daughter of Susano, and eldest of the three Munakata princesses. Just off Oshima is a large rock protuding from the sea. The story is when Ichikishimahime heard she was going to be enshrined on Oshima, she was really excited and proud because Oshima means ‘Great Island’, but when she got here and saw just how small it really was, her tears formed the rock.”

With the introduction of Buddhism into Japan the earliest interaction saw local kami asking to be saved from their kami-state by means of Buddhist ritual.