London recreational looting in August 2011

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Hozinja took this photo and made this comment ‘Caught in the middle of rioting on my way home last night. Fortunately the trouble was brief on Walworth Road and no buildings were set alight. Just young kids sensessly looting. These two girls stormed out of Boots with a few pickings as the police were making their way down the road.’ The two girls are wicked but they are not ‘senseless’. They are looting a shop and they know that they are unlikely to be arrested. If, as elsewhere, a large group is involved then it would be riot (‘A violent disturbance of the peace by a crowd’) and I agree with Christine that the Riot Act should be read and enforced. This act was a British statue from 1715-1973. It may have been in need of modification but it should not have been repealed. Our forebears were right to involve a non-policeman in the decision. Typically a magistrate would read the Riot Act and anyone who remained at the scene would be guilty for that reason alone. The wording was ‘Our Sovereign Lord the King chargeth and commandeth all persons, being assembled, immediately to disperse themselves, and peaceably to depart to their habitations, or to their lawful business, upon the pains contained in the act made in the first year of King George, for preventing tumults and riotous assemblies. God Save the King!’
But how to deal with the riot is less important than the prevention of future riots. I agree with John Bird (founder of the Big Issue magazine) that every person who receives unemployment benefit should do something in return for the money. But what could they do? My suggestion, thinking about my area of interest, is that 20% of the greenspace in London could be used for urban agriculture and that the work could be done by the presently unemployed.
Straying outside my professional interests, there are many elderly and infirm people who could stay on in their own homes, instead of being brutalised in ‘care’ homes, if they had personal helpers.
The underlying truth is that ‘the devil makes work for idle hands’ – assuming he counts looting a Boots shop as ‘work’.

Olympic 2012 Park landscape and architecture

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In 2005 I made my predictions and stated an intent to monitor the progress of the 2012 London Olympic Park. I took 500+ photographs of the site and hoped to follow the changes. This did not work, because they had to close off public access to the site, but I was kindly invited to view progress on 22.7.2011. The first point to strike me, on the jaw, was the total inability of the architects to work together. There is no relationship of any kind between the sports buildings. What, one might ask, can one expect of Zaha Hadid (Aquatics Centre), Michael Hopkins (Velopark), Populous (Olympic Stadium) or MAKE (Handball Arena)? This is an easy question to answer: I expected them to TALK to each other and to create a whole which is more than the sum of its parts, more than a bag of Liquorice Allsorts. I also expected the client to ensure that this conversation took place and had a fruitful outcome. But they didn’t. The landscape architects could have done the design co-ordination, had they been asked. Instead, they have designed a swathe of greenspace which can be expected to help in unifying the outdoor landscape. The underlying principles are ‘Bauhaus’: the outdoor form of the buildings reflects their internal function. The buildings have an outdoor setting which is more nature than garden (like the Meisterhäuser in Dessau). Someone, as yet unidentified, had the excellent idea of having acres and acres of wildflower meadow flowing around the buildings and along the river. It will be colourspace instead of greenspace and it will help distinguish the 2012 Olympic park from a 1980s British Garden Festival.
A very disappointing aspect of the Olympic 2012 Park is that the general public will have NO ACCESS in 2012. We Londoners have paid for many of the facilities. We will have our city greatly disrupted during the games. But there are no plans to let us see our park. Only the ticket holders will have this privilege – and a great many more people applied for tickets than have received tickets. A friend bid for £3000 of tickets and got none. After the Olympic Games end the plan is to keep the park closed and set about the task of transforming it for public access some time in 2013. I urge a re-consideration. They should open the park to FREE PUBLIC ACCESS FOR AT LEAST TEN DAYS AFTER THE END OF THE GAMES.
My 2005 comment on the prospects for the 2012 Olympic Park gave reasons for optimism and reasons for pessimism. In July 2011 the site looked like a road widening scheme near an airport, so I can’t say. My guesses are (1) the wildflowers will be wonderful (2) the buildings, as individual objects, will be handsome (3) there is a risk of the end product resembling a collision between an airport and garden festival. Let’s hope I’m wrong.
The below photograph, also taken from outsidethe park, shows what might have been achieved inside the park if more of the vernacular Lea Valley could have been retained. My belief is that it could have been done and that it has not been done.

The future is blossoming

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The stained glass windows of Josef Albers (1920-33) demonstrate the remarkable advances that were made in glass art in the period between 1885 (with the Tiffany glass Company) and 1933 (with students from the Bauhaus), and the increasing links between emerging art movements and gardens (hinted at by Filoli ).

Art Nouveau began a remarkable period in the history of art, when designers inspired by nature and natural forms, began a creative transformation which would lead to the pure abstraction of Modernism, perhaps most typified in the work of Gustav Klimt.

Louis Comfort Tiffany, was the third generation of successful American entrepreneurs. His father founded the jewelry company, Tiffany & Co, while his grandfather had been a leading cloth manufacturer.

Mirroring the emerging emancipation of women which typifies the age, the daffodil lamp, designed by one the ‘Tiffany Girls’ Clara Discoll, is considered among the most famous of the studio’s designs.

Contemplative places: watching and listening

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Contemplation has been defined as thoughtful or long consideration or observation. In the East, Christian contemplation has been associated with spiritual transformation. “The process of changing from the old man of sin into the new born child of God and into our true nature as good and divine is called theosis.” The process has often been described by the metaphor of a ladder, with the acquisition of the state of hesychia or peace of the soul being the summit where the person is said to reach ‘Heaven on Earth’.

Perhaps the purpose of a public contemplative space might be to give visitor glimpses of ‘Heaven on Earth’? What might such a space look and sound like?

Natural spaces are most often associated with a sense of restfulness and peace. Water can create a sense of calm, while beauty can promote a sense of wonder.

Is Forum Magnum the stupidest urban landscape design in London?

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What should be done to improve the urban landscape design of this space?

I pass Forum Magnum Square quite often and took this photo to show it at a busy period: 5.30 pm on the afternoon of Sunday 26th June 2011. Forum Magnum Square is 100m from one of Europe’s largest tourist attractions. My180° photo was taken from the white cross in the centre of this map. London’s parks and open spaces were jammed with people. It was, for London, a hot day (27°) and people were seeking shade everywhere. I guess anyone can say why the space is empty. But what should be done? A biodiversity meadow? A beer garden? A tourist market? A food court? Another building? A fishing pond? A fernery? A monument to victims of torture? I think they should hold 2-stage competitions for the re-design of places like this: Stage 1 – to find an imaginative use; Stage 2 – design the space to accommodate the new use. In New York City they use incentive zoning to create POPS = Privately Owned Public Space. Great idea. Forum Magnum is Latin for Great Forum. A forum was a public square or marketplace in an ancient Roman city, also used for assemblies, public business and siting temples. Forum Magnum enjoys none of these functions. It is a great stupidity but is not great in any other way. Can anyone suggest an urban space in such great location which surpasses Forum Magnum square in stupidity?

Two Garden Shows

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County Garden Show, Norderstedt


County Garden Show, Norderstedt


County Garden Show, Norderstedt


National Garden Show, Koblenz


National Garden Show, Koblenz


National Garden Show, Koblenz


National Garden Show, Koblenz


This year Germany offers both the County Garden Show in Norderstedt and the National Garden Show in Koblenz. Norderstedt is using the show to unite an old mineral excavation site with an adjacent woodland and grassland to create a new park and Koblenz has renovated an antique military site to parkland and upgraded existing urban open space on three sites on both sides of the Rhine. The competition for the Norderstedt master plan was won by Kiefer Landschaftsarchitekten (Berlin), that for Koblenz by RMP Landschaftsarchitekten (Bonn). Both competitions were run in 2006.

Despite the large difference between the budgets for County and National shows, there is not much to choose between Norderstedt and Koblenz, and I believe that Norderstedt will leave a more substantial legacy behind it after the show. I am told that the renovation of the military site swallowed large amounts of money in Koblenz, and perhaps this is the reason why I judge this National Show to be the dullest I have seen in the 30 years that I have been visiting them. Whereas previous shows offered political comment, experimental design and a cornucopia of exhibits, Koblenz offers as its central attraction a threadbare expanse of grass surrounded by the dullest temporary exhibits, most of a commercial nature. The highlight of the visit is the cable car ride between sites, strung high over the Rhine at the point where the Mosel joins it – but this is also a temporary installation which will be dismantled when the show closes in autumn. Norderstedt leads the way when it comes to the technicalities of ground modelling, offering crisp and sculptural soft detailing and beautiful flowering meadows.

Both shows continue the trend of an emphasis on horticultural excellence. German plant designers are at the top of the range when it comes to herbaceous perennials, carpet bedding and the contemporary combinations of the two and they are certainly putting the Garden back into Garden Shows. Unfortunately, this does seem to be happening at the expense of the inspirational designs that were such a characteristic of past shows, particularly those that took place in the 1980s, the golden financial years before reunification.