Category Archives: Landscape Architecture

Pioneering spirit

landscape-and-dance1It is said that the landscape architect Lawerence Halprin “worked closely with his wife, whose experiments with movement – in conjunction with a circle of avant-garde composers – informed his user-friendly designs.”

Halprin was keen to design participatory spaces rather than spaces that were merely aesthetic.

It is surprising, given his background was in plant sciences and horticulture before studying landscape architecture at Harvard, that he is best known for his work on public spaces. Although it is possible to surmise that his formative architectural interests and Bauhaus teachers influenced his sense of formal spatial design.  

http://www.portlandtribune.com/features/story.php?story_id=122098201532999900 and http://www.artscatter.com/general/deep-portland-history-lawrence-halprin-and-ira-keller/ and http://www.tclf.org/pioneers/profiles/halprin/index.htm

The sky's the limit

vauxhall-sky-garden-3

Vauxhall Sky gardens: http://www.amintaha.co.uk/

As garden-in-architecture skygardens are new to the urban design agenda. I suppose what we are talking about here when considering the introduction of skygardens into the garden and architecture typology is a form of greenhouse or biodome in the sky. Vauxhaull it would appear is a semi-private garden akin to the penthouse suite or the executive boardroom. While Fenchurch Street seems to promote public thoroughfare and viewing…even though it is not a podium space but rather akin to  garden- as- observation- deck.

Other projects are shown on http://www.greenroofs.com/blog/.  and http://marquetteturner.wordpress.com/2008/07/04/the-urban-jungle-how-architects-are-helping-city-dwellers-get-back-to-nature/ but it will be even more interesting as the type gains popularity and skygardens become a more developed typology….

20 Fenchurch street: http://www.capitalcommitment.co.uk/site/portf.ec3.20fenchurchstreet.off.aspx

pic__portf_20_fenchurch_st


Can we trust The National Trust?

When planning a visit to gardens managed by the National Trust, one checks opening times, days/months, and in my case whether dogs are allowed. Lately, though, I have realised there are more things to confirm before a sometimes vast journey is met by disappointment.

 

A large part of the experience of a garden/landscape is visual, so are we missing out if we cannot take good photographic images or view ‘scenes’ we expected to due to the mismanagement of landscapes?

 

My displeasure with The NT was prompted by recent visits to two iconic landscapes, and their less than satisfactory responses after I contacted them with my concerns. It would seem the NT has lost its focus and is swamped by policy documents etc and cant concentrate on little maintenance operations. I think this might be because it has become a huge organisation and is too preoccupied with creating strategies for the future and not concentrating on keeping present ‘customers’ happy. It is managing visitors’ experiences now and encouraging repeat visits which will keep these landscapes alive, without visitors there is little point in future management strategies. Customer satisfaction must be the priority and customer satisfaction is, admittedly, a complicated issue but it must rest on the unique experiential qualities of each individual landscape.

 

The two landscapes I will comment on are Studley Royal and Claremont. At both of these I encountered the same problem of obscured viewpoints. Both of these landscapes contain topographical high points that were utilised as positions from which to overlook the landscape below/beyond. Currently many of these viewpoints are obscured by undergrowth, and in some cases large trees. Most disappointingly is at Claremont where there is a viewpoint indicated on the map shown on the leaflet (more on this leaflet later!) and when one climbs up to where there should be the best view over these iconic grass terraces (the view shown in all images of this landscape) we see only large shrubs and trees in our way. NT do plan to clear it in the future, but apparently it is not a priority because ’not many people use this path’.

 

As for the leaflet; I was not impressed by the leaflet given to me upon entrance because of the amateur looking drawings of insects and creatures on it. Upon further investigation I became quite disheartened by its contents. The bias towards environmental concerns in this landscape was beyond logic. I thought I had come to a landscape famous for having a number of England’s most famous historical Landscape Architects/Garden Designers work on it, not to a landscape legendary for being where dragonflies flourish. I have nothing against environmental issues and in fact believe quite obviously that the designed landscape and the natural landscape should exist in unison. But let’s get our priorities right here, what is most important about this landscape, what is it special characteristic? If these dragonflies can only be found in this landscape, then fair enough they do deserve a mention, but this leaflet contained one small section on the designers (each of whom have had volumes and volumes of words published about them) and the rest of the leaflet was about bugs and insects etc.

 

At Studley Royal (which incidentally is a World Heritage Site) I looked forward to seeing the famous Moon Ponds. The photo below shows what I found. When I asked what the NT are doing about green algae I got a very informative response explaining the difficulties in maintaining these pools as they were not designed that well. I sympathised with this and was interested to read further that there is a future £1m redevelopment proposed that ought to alleviate ‘some’ of the green algae problem. I really cannot help thinking that for much less expense than that, why cant they simply scoop out the algae on a regular basis, starting immediately.

 

Green clouds?

Green clouds or turf?

  

 


 

By contrast, the adjacent river shows the reflections my photos should have captured had the Moon Ponds been clear of algae.

 

White Clouds

White Clouds


 The NT are custodians of our heritage. There is always a huge bias towards architectural heritage opposed to landscape heritage anyway, this can possibly be excused. But can the mismanagement of important landscapes ensure their survival into the future? Of course I understand that on the whole and as an organisation the NT do a magnificent job as protectors and advocates, in the big picture, but are they loosing focus on the micro scale? Are these small issues only noticeable to garden historians and not the regular punter, am I being fussy? Either way, I will not be recommending anyone visit a NT trust landscape to see some specific scene unless the NT can assure that that scene is actually available for viewing. 

 

Stonehenge theories revisited


 

Stonehenge Sunrise June 22nd 2009

Stonehenge Sunrise June 22nd 2009

The paperback version of Rosemary Hill’s Stonehenge has just come out. In this witty and erudite volume she unpicks the various theories of the purpose of the stones and shows how they “say more about the theorists and their time than the place itself”. http://www.amazon.co.uk/gp/product/1861978804/ref=sib_rdr_dp

Like Pevsner and among many others I have shared Tom’s disappointment in visiting Stonehenge in the middle of the day with a thousand other tourists, and have done the same visit only once since we were no longer allowed to have picnics on the sacrificial stone.  And no one can tell me that it is not indeed a sacrificial stone, since my own time and place meant I was brought up with the romantic view of Stonehenge as described by Clive King’s immortal ‘Stig of the Dump’. In it the time-misplaced caveman Stig who lives in a chalk pit, leads our adventurous hero out of his long summer holidays and back in time to witness Stonehenge one Midsummer’s Eve. The sense of time and timelessness of the stones are ingrained via the experience of childhood.

It is in the moonlight or early morning that the stones look at their most magical, or in the drama of a storm as portrayed by Turner. One must go out of hours. The only way to visit Stonehenge in my view is then to keep your romantic beliefs, and in the current layout to keep your distance. One must see it without the crowds; the coaches and concessions; barbed wire and information panels – (the latter soon to be redone by English Heritage’s ‘intellectual access scheme’ which apparently involves rewriting all information so that it can be understood by someone with the reading age of ten.)

One of the best views of the Stones and the settings is from the footpaths behind Countess Farm, on the Amesbury roundabout. Walking up behind the Kings Barrows and looking out along the Avenue you get the sense of scale and grandeur which makes the whole plain feel like a cathedral nave with the stone circle as the trancept. One of the fairly recent proposals was to have the visitor centre at Countess Farm, with pedestrian access to the stones from there. This would be a brilliant way of regaining the atmosphere of the place, with the half mile walk allowing the time and space to feel the sense of place. The cars and coaches would be out of the view too. We would then just need to get rid of the barbed wire.

At the poet and philosopher John Michell’s memorial service last month was read this poem:

How Lord Montagu Gave Stonehenge to the Freemasons

By John Michell, Midsummer 1988

WHEN philanthropic Mr Chubb gave Stonehenge to the Nation

(He’d bought it just before he made this generous donation)

He laid down two conditions: public access as of right

And nothing to be built nearby to mar the sacred site.


The answer to these clauses form the government Trustees

Was ‘Bother Mr Chubb, we’ll do exactly as we please.

A few more buildings round Stonehenge aren’t really going to spoil it,

Beginning with a carpark and a gents’ and ladies’ toilet.


The Commissioners of Works who were the first administrators

Were succeeded by another bureaucratic apparatus

Entitled ‘English Heritage’, and what these people do

Is bugger up historic sites; their head’s Lord Montagu.


They made a fence of steel and wire which everyone bemoans

And dug a concrete tunnel from the carpark to the stones.

No one is permitted now to walk inside the ring

You’re kept behind some ropes so you can hardly see a thing.


There used to be a festival to greet the summer sun

And people would assemble there as they had always done.

In 1985 we saw the end of that tradition

Lord Montagu decided on its total abolition.


But ever since he ordered that the festival should cease

Stonehenge has been surrounded by an army of police,

And if you try to join them they get terribly excited

And tell you that it’s private and you haven’t been invited.


Now, I’m not the sort of person who’ll impetuously hasten

To spread the word that every single policeman’s a Freemason,

But many of them are you know, and here’s the subtle dodge;

Stonehenge has now been proved to be an old Masonic Lodge.


The person who revealed this – and he certainly should know-

Is Mr Russell Herner of the Grand Lodge, Ohio.

His book about Stonehenge says it was built for all eternity

To house the Master Mason and the rest of his fraternity.


So when upon the longest day, St John the Baptist’s Feast,

You see a group around Stonehenge who gaze towards the East,

They’re not just simple coppers spoiling other people’s fun,

They’re members of the brotherhood out worshipping the sun.

Perhaps there was a senior officer at the memorial, for we learn this week that all pagan police officers are to be given time off to celebrate the Summer Solstice. And all witches in the force are to be given Halloween for religious parity. Who will police the solstice then?


Richard Rogers 'Sustainable' design for Chelsea Barracks


Left: my drawing of a sustainable city. Right: Rogers' drawing for Chelsea Barracks

Left: my drawing of a sustainable city. Right: Rogers' drawing for Chelsea Barracks


The above image shows my drawing of a sustainable city, left, and Richard Rogers design for the Chelsea Barracks, right. The upper part of Rogers’ drawing shows Ranelagh Gardens and the site of the Chelsea Flower Show.  I am of course mildly flattered that Richard Rogers has copied my idea but would like to point out that (1) the decent thing in cases like this is to acknowledge one’s sources, or offer a copyright fee (2) my drawing was a caricature, intended to show what should not be done in the name of sustainability (3) Rogers omitted the two redeeming features of my scheme: the green roofs were devoted to urban food production and the cyclist-friendly nature of the design proposal.

I was therefore very relieved to hear that,  after some caustic remarks by Prince Charles, the Qatari Royal family have decided not to go ahead with Rogers’ context-insensitive design. It makes ‘Plan Voisin’ mistakes without Corbusier’s flowing, if ill-conceived, parkland.  Rogers’ blocks are far too close together and  would have created some horribly narrow passageways.

Roger’s response to Prince Charles’ intervention has been to accuse him of constitutional impropriety. On this occasion, it is Rogers and his buddies from the architectural mafia, who have gone bonkers. It would be a sad day for democracy if the future King of England were banned from speaking his mind on the urban landscape of his capital city. What’s more, Prince Charles is very probably ‘speaking for England’ in the sense that more people hate than love Rogers’ paltry plagiarism of my idea. See Hugh Pearman’s blog for more details of this sorry affair. I am wondering if I should ask the University of Greenwich to withdraw the honorary doctorate it awarded to Richard Rogers, though he gave a good speech and was a very pleasant lunch guest.

Hemel Hempstead Water Gardens are a National Disgrace

The Water Gardens, designed for Hemel Hempstead New Town, are decaying. They should be Listed as a Grade 1 landscape and garden design.

The Water Gardens, designed for Hemel Hempstead New Town, are decaying. They should be Listed as a Grade 1 landscape and garden design.

The very best of Britain’s First Generation New Town plans was Geoffrey Jellicoe’s design for Hemel Hempstead. He was invited back to design the Water Gardens. Susan Jellicoe did the planting plan and they both saw it as their most successful project. I went there last year and again this week. The Water Gardens are in terrible condition and it is very depressing. The beds are full of weeds. The pleached limes are unclipped. The benches are smashed up. The canal is so over-stocked with ducks that the edges have eroded. The concrete bridges are crumbling. Some idiot has painted the steel railings green, instead of ‘Festival of Britain’ white.
Though I can’t find it, I wrote an article about New Towns for the TCPA Journal (c1980) and described the Hemel Hempsted Water Gardens as the space which best captures the spirit of the British New Towns. They used  the photograph on the front cover of the journal. If writing another article on the New Towns I would re-take the photograph and used it lament the sad demise of an excellent idea. The Landscape Institute should gird its loins and call for the New Towns Act to be brought back into operation. It is a much better way of managing urban growth than constant expansion of villages into small towns, of small towns into large towns and of large towns into conurbations. The fact that Gordon Brown’s Eco-Towns policy came to nothing demonstrates the need to do things properly, by bringing the New Towns Act back into use.