Category Archives: Landscape Architecture

Zen: garden as house

the-garden-house1

http://www.archtracker.com/the-garden-house-takeshi-hosaka-architects/2009/04/

Apart from what looks what looks unfortuneately like artifical turf on the roof – the Garden House by Takeshi Hosaka Architects with its tight triangular plan is a surprise and delight! Definitely a garden for my soul! The living spaces are designed around the edges of an enclosed garden courtyard, cleverly stacked and arranged to take advantage of every square mm of space, create privacy and capture views. In the photographs the garden is very young…it would be fantastic to revisit the house as the tree grows and the potted garden matures.

If you can’t resist viewing more  maybe a trip to Japan is in order…





Fine Art, Frieze Art and Landscape Architecture

Thinking, sometimes, that landscape designers can turn to artists, much as we turn to  engineers and  ecologists, for specialist inspiration on projects, I went to the Frieze Art Fair this afternoon. By way of a review: I found about 2% of the exhibits wonderful and 40% of them trash. Judging from the way other visitors were pacing up and down the aisles, I suspect this opinion is common. Fortunately, we visitors were in disagreement as to which works of art fell into which  category. I came away with some design ideas but, better than that, I stopped on the way home to buy a box of Liquitex Heavy Body Acrylic Color. I did not bang into any celebs, unless you count the blue statue of Norman Foster. He can be seen on the video and on this webpage. I was very impressed by the high style in which most visitors were dressed – but instead of high style bikes outside there was a fleet of sinister Black Series 7 BMWs labelled ‘Frieze art 2009 VIP transport’. Trust me, life is better on a Brompton.

Please visit the Jardin Plume before it becomes over copied


the Bassin Mirroir and Orchard at the Jardin Plume

the Bassin Mirroir and Orchard at the Jardin Plume

I vividly remember my sense of injustice and disappointment when a university tutor dismissed the French Romantic poetry I was raving about as ‘cliché’. I had only just met it, and I thought it was wonderful. Please then, go to see this wonderful garden before it becomes cribbed, copied, and eventually clichéd. It is so new and so original, yet the formula is old, because this garden takes the best principles of the past and applies them in a strikingly modern way.

Sylvie and Patrick Quibel are hortics who built the garden to promote their nursery. Now the nursery funds the garden, and the garden has been voted Garden of the Year by Those That Know.

It is on flat ground in the middle of farm land in Normandy, a climate similar to ours in England, so plenty of scope for copying. The Quibels based the design on the principles used at Vaux le Vicomte by Le Notre (a design so successful that the Sun King jealously imprisoned the owner, stole the chateau, and got the designer to do him Versailles). There are grand allées, formal hedging and tightly clipped parterres. The house is raised above the land, and extra land is ‘borrowed’ by carrying the eye seamlessly into countryside beyond. There is a potager as purely ornamental as Marie Antoinette’s, a pool to reflect the heavens, and secluded spots for indulgent reverie. So far so déjà vue, but what makes the garden modern is the way all this is done.

The raising of the house is by one sole brick step, and that is the only new hard landscaping to be seen. The allées are wide paths in an orchard, mown between geometric squares filled with tall grasses and colourful perennials. Thus French formality is wittily contrasted with the billowing grasses which play so well to the wind swept site .The Quibels saw them as undulating and continued the metaphor by clipping the formal hedges into waves.

The parterre in front of the house is filled with the Summer garden – a jumble of hot colours and tall shapes including over 8 different types of Helenium – on close inspection each bed of the parterre has a side missing, ‘to let in the air’. This looks out onto the orchard, and beneath an enormous apple tree, the reflection pool, which is a simple square cut in place of one of the grass cubes in the orchard.

There are traditional box balls in the Spring garden, but there are over twenty of them, of varying sizes and interplanted with mainly whites such as hellebore and solomon’s seal, astrantia and pulmonaria, all brought alive with the lightest scattering of Molinia ‘Fontane’ dancing above.

The Autumn garden is hidden behind hedges on the west side of the house, and Patrick describes how they built the arbour as this is the best spot to enjoy an evening aperitif. In front of the arbour an enormous ‘table’ of box separates the diners from the crowd of ‘vivaces’, a brightly coloured jostling jungle of perennials, with annuals and grasses, mostly over six foot tall. The Quibels site Dixter as an influence, and like Christopher Lloyd and Fergus Garrett they plant in associations. They will try out groupings in situ until they are happy with a combination, when they repeat it again and again, so that the result is harmonious, whilst looking natural. In the spring everything is cut to the ground, weeds removed and, like Dixter, self-seeders scrutinised and allowed tenancy where they enhance the original planting.

The arbour and box 'table' in the Autumn garden at Jardin Plume

The arbour and box 'table' in the Autumn garden at Jardin Plume

As nurserymen the Quibels were influenced by Priona in Holland, and they propagate a huge range of new perennial style plants such as Aster, Cimicifuga, Veronicastrum, Circium, Epilobium Sanguisorbas and Thalictrums and wonderful grasses including their own self seeded Miscanthus ‘saturnia’, a luminous white flowering possible love child of Miscanthus ‘Silver feather’ which is similar but heavier.

It is this mixture of formal and natural, control and laissée faire, old fashioned structure and twenty-first century planting that makes this garden special. It is a very sensual garden, crammed full of colours, scents and movement, and the French are very sensual about their plants. Nursery catalogues talk of finding the plants that have ‘seduced’ you in the gardens, and to overhear the eager replies to Patrick’s question ‘Do you want it?’ (vous le voulez?) in the nursery, you can see why.

The Quibels will be speaking at the Garden Museum on October 20th www.gardenmuseum.org.uk To visit the garden see www.lejardinplume.com

Patrick Quibel in le Jardin Plume

Patrick Quibel in le Jardin Plume





Sustainable energy, landscape architecture and the carbon cycle

The landscape architecture should consider the implications for the landscape of supplying the UK's energy demand when the oil runs out

The landscape architecture should consider the implications for the landscape of supplying the UK's energy demand when the oil runs out (image from the 10-page Synopsis, reproduced courtesy David Mackay)


So far as I know, there is only one excellent book on Sustainable Energy. It is available free and the author, David MacKay, has become a government advisor. Everyone should read the 10-page synopsis. My question is this: how will solar power affect the landscape and what can landscape architects do to help the shift to sustainable energy? Solar, Clean Coal, Nuclear, Tide, Wave, Hydro, Waste, Pumped Heat, Wood, Biofuel, Wind.

The European average for energy use is 125 kWh/day.  Covering the windiest 10% of Britain with onshore windfarms would yield 20 kWh/ day per person; covering every south-facing roof with solar water-heating panels would capture 13 kWh/day per person; wave machines intercepting Atlantic waves over 500 km of coastline would provide 4 kWh per day per person.

Do landscape architects have anything to say about the layout of giant solar farms? David MacKay believes they are the most promising solution in the longer term. And what about giant wind farms?

Urban food production and urban agriculture

This is called urban agriculture - but the food is not grown in a field (agri in Latin)

This is called urban agriculture - but the food is not grown in a field (agri in Latin)

Cities can, should and will, I believe, become much more productive of food. A friend whose paved ‘garden’ measures about 20 sq meters is self-sufficnent herbs and in summer fruits. He has 16 fruit trees, all grown in pots, and produces strawberries and other fruits with  a flavour far superior to supermarket food. He does not have to worry about chemical sprays. He contributes to the balance of payments.  NO energy is required to transport the produce. His plants take in carbon dioxide and give off oxygen. The vitamens do not have time to decay in storage. There is no need for a refrigerator or deep freeze to store the food. Tending the plants is good exercise. He provides ‘visual policing’ for the community while doing the work.

Why don’t more people grow their own food? Because most cities are not planned for urban agriculture, unless they are in Cuba.

Urban parks, POS and landscape architecture


The Skateboard park on London's South Bank is a specialised POS, created by and for its users - in defiance of the authorities

The Skateboard park on London's South Bank is a specialised POS, created by and for its users - in defiance of the authorities. It involved no capital cost and nor is there any maintenance cost.


Too many park managers have a horticultural training. To few park managers are trained in landscape architecture, garden design, event management, community leadership, economics, public accountancy or social entrepreneurship. The consequence of the imbalance is that too much public open space is managed as ‘parkland’: ‘green deserts with lollipops’, shrubberies, flowerbeds and a few facilities for young mums, sporty youths and old age pensioners. We have too much generalized public open space and too little specialized public open space.