Category Archives: Landscape Architecture

Two Garden Shows

County Garden Show, Norderstedt


County Garden Show, Norderstedt


County Garden Show, Norderstedt


National Garden Show, Koblenz


National Garden Show, Koblenz


National Garden Show, Koblenz


National Garden Show, Koblenz


This year Germany offers both the County Garden Show in Norderstedt and the National Garden Show in Koblenz. Norderstedt is using the show to unite an old mineral excavation site with an adjacent woodland and grassland to create a new park and Koblenz has renovated an antique military site to parkland and upgraded existing urban open space on three sites on both sides of the Rhine. The competition for the Norderstedt master plan was won by Kiefer Landschaftsarchitekten (Berlin), that for Koblenz by RMP Landschaftsarchitekten (Bonn). Both competitions were run in 2006.

Despite the large difference between the budgets for County and National shows, there is not much to choose between Norderstedt and Koblenz, and I believe that Norderstedt will leave a more substantial legacy behind it after the show. I am told that the renovation of the military site swallowed large amounts of money in Koblenz, and perhaps this is the reason why I judge this National Show to be the dullest I have seen in the 30 years that I have been visiting them. Whereas previous shows offered political comment, experimental design and a cornucopia of exhibits, Koblenz offers as its central attraction a threadbare expanse of grass surrounded by the dullest temporary exhibits, most of a commercial nature. The highlight of the visit is the cable car ride between sites, strung high over the Rhine at the point where the Mosel joins it – but this is also a temporary installation which will be dismantled when the show closes in autumn. Norderstedt leads the way when it comes to the technicalities of ground modelling, offering crisp and sculptural soft detailing and beautiful flowering meadows.

Both shows continue the trend of an emphasis on horticultural excellence. German plant designers are at the top of the range when it comes to herbaceous perennials, carpet bedding and the contemporary combinations of the two and they are certainly putting the Garden back into Garden Shows. Unfortunately, this does seem to be happening at the expense of the inspirational designs that were such a characteristic of past shows, particularly those that took place in the 1980s, the golden financial years before reunification.

Impressive gardens: revisiting the Golden Age in America

‘The Golden Age of American Gardens’ begins “In the 1880s America’s millionaires were looking for new ways to display their new wealth, and the acquisition of a grand house with an equally grand garden became their passion.”

It is said that the style of architecture and gardens, evidenced in Lila Vanderbilt Webb’s 1886 model agricultural farm Shelburne Farm (among others) “was a mix of eclecticism and the latest advances in artistic and cultural developments as promoted in popular English style books and periodicals of the time.” The tubbed bay trees on the terraces overlooking Lake Champlain, as a consequence, were said to have been climatically challenged!

The Golden Age ended with the Jazz Age in which a distinctly American sensibility in gardens and lifestyle emerged. European influences still dominated design ideas, but new approaches were gradually emerging as is shown in the Chartes Cathedral Window Garden (photograph by Saxon Holt shown above), one of three walled gardens on the estate.

Filoli, the home of shipping heiress Lurline Roth, whose daughter debuted to jazz strains in 1939 at the property, maintains a strong jazz tradition.

Perhaps she danced to the classic‘I wish I could shimmy like my sister Kate’, said to be a charleston/belly dance fusion, and which inspired The Beatles to release a song of the same name in 1962?

Geography and the origins of landscape architecture in Scotland

The geographical origins of landscape architecture in Scotland

More geography graduates should think about postgraduate courses in landscape architecture and careers in landscape architecture, especially if they are from Scotland’s Central Belt. About 500m years ago, in the Silurian period, England and Scotland belonged to different tectonic plates. They were mostly underwater and separated by the Iapetus Ocean. In the Devonian period the plates collided on the line of the Forth Estuary, shown on the photograph. There was much volcanic activity in the region during the Carboniferous period and a volcano formed the Bass Rock, also shown in the above photograph. When the Romans brought an urban civilization to Britain it did not extend north of the Forth and the culture of Highland Scotland remained tribal until the eighteenth century – at which time Edinburgh, some 30km west of the Bass Rock, was one of the most important intellectual centres in Europe. The geography of the landscape Central Scotland is very interesting – and I wonder if this contributed to the region having given birth to many of the the most important landscape analysts, landscape architects and landscape planners of modern times.
James Hutton lived 15 km south of the Bass Rock and used the geology of the region to support his Theory of the Earth, which argued that the Earth had evolved slowly, rather than being created in a week (as described in the Bible).
Gilbert Laing Meason invented the term ‘landscape architecture’, in 1828. Meason lived near Forfar (60 km north of the Bass Rock) which might be visible on the above photograph if it had been taken on a clearer day
John Claudius Loudon was the most prolific writer on gardens and architecture of his age. He designed some of the first public parks, proposed a system of Breathing Zones for London and transmitted the term ‘landscape architecture’ to Downing and Olmsted . Loudon spent his childhood at Gogar 40 km west of the Bass Rock
John Muir is regarded as the Father of America’s National Parks. John Muir was born in Dunbar (15 km from the Bass Rock) and the estuary in the foreground of the above photograph is now the John Muir Country Park.
Patrick Geddes, the first European to use ‘landscape architect’ as a professional title was the most innovative town and country planner of the twentieth century. Patrick Geddes was born near Perth (25 km north of the Bass Rock) and lived in Dundee and Edinburgh
Ian McHarg wrote the most influential landscape architecture book of the twentieth century (Design with nature) and contributed to the development of Geographical Information Systems (GIS) McHarg was born in Clydebank, 80 km west of the Bass Rock and near the boundary between the tectonic plates which were joined to make Britain

George Eliot wrote, in Adam Bede, that ‘a gardener is Scotch, as a French teacher is Parisian‘. She lived 1819–1880 and would have been on even stronger ground if writing about landscape architecture and planning!

The Bass Rock (centre of photo) is one of many extinct volcanoes which form the landscape architecture of Scotland's Central Belt

See map history of How Britain was Formed. When the sun is setting (above) one gets a glimpse of how the region looked when the boundary between the Gondwana and Euramerica plates was full of volcanic activity, as Iceland is today, but the Devonian climate was hotter and drier.

And/Or & Both – when more is more.

It would be unfortunate to lose the distinction between [1] garden design and [2] [3] landscape architecture much as the trend towards [4] interior architecture is actually unfortunate for [5] interior designers. The differences of focus and attention to scale provide a variety of design insights which are not replicated.

Why? Because the rich tradition of garden design is the foundation and a source of inspiration to landscape architecture, to urban design and to city design. In the future we may say more as gardens move from the [6] ground plane to vertical surfaces and [7] roofs. Parc Eduardo VII in [8] the city of Lisbon is an example of the axis and hedges of gardens informing the structuring of city vistas.

There is much to be said for the process of abstraction. Landscape architects, arguably coming into being with the [9] English landscape tradition, have evolved a language and way of working of their own, which is continually evolving. Viva la difference!

Image courtesy Artifolio

Chelsea Flower Show Trends 2011 – and the Chelsea Fringe Garden Show

Sustainable and theatrical themes at Chelsea help argue the case for an Unofficial Chelsea Fringe Garden Festival





Amongst other things, garden design an arena for fashion. This tempts the critic to look for trends and what I noticed was more an extension of previous trends than anything completely new:

  • the visual language of sustainability is becoming stronger, with green walls and green roofs tending towards the norm
  • there is more use of food plants each year, as in the above photograph (of a design by Bunny Guiness)
  • the interest in green roofs is trending towards high-rise gardens: Sarah Eberle designed an accessible roof garden; B&Q designed a multi-storey garden; Dairmud Gavin hung a garden from a crane [see 2011 Chelsea review]
  • the financial trend is to more-and-more money being spent on the show gardens each year

The financial trend reminds me of a previous suggestion: the Official Chelsea Flower Show should be supplemented with an unofficial fringe event. We therefore renew the proposal, made in 2005, for a Chelsea Fringe Flower and Garden Show. The advantages of a Chelsea Fringe would include:

  • there could be sustainably Permanent Show Gardens, as well as Temporary Show Gardens. People often remark on what a waste of money it is that Chelsea Show Gardens are only on view for a single week. The Chelsea Fringe would allow some of the show gardens to become permanent.
  • many summer visitors to London, who cannot get tickets for the Official Chelsea Flower Show, would be able to see wonderful gardens. The gardens could be opened in sync with the official show and would then be at their best for the whole summer.
  • the Chelsea Fringe would re-inforce London’s position as the World Capital of Gardening
  • the Chelsea Fringe Show Gardens could be combined with theatrical and other events, as in the above photograph
  • there could be Floating Chelsea Gardens on the Battersea Reach of the River Thames

Here are the 2007 proposals for the type of events which could be brought within the umberalla of a Chelsea Fringe Flower and Garden Show Events.


Gardening on ice: a mammoth project

It is not often that you see a proposal for a substantial indoor garden, still less one located on an ice tundra, however this is what Leeser Architecture, (who also imagined the engaging Helix Hotel in Abu Dhabi) have proposed in their design for the World Mammoth and Permafrost Museum in Yakutsk Siberia. Yakutsk is the world’s largest city built on permafrost with temperatures ranging from -45degF to 90degF.

The extensive and intensive indoor gardens have been designed to “promote a sense of year-round natural life even in the desolate winter months.”

Not much is said of the about the construction of the landscape elements and gardens. This is a competition afterall, so details will undoubtedly be required later.

The exterior gardens are described as “naturally patterned by the effects of shifting permafrost cycles.” Cells will be planted with native grasses. Mosses and trees will be reintroduced to the landscape to reflect the existing topography and improve site hydrology.

While the interior gardens cascade “at the perimeter of the building’s interior with lush thick mats of moss and lichen” grown between a latticework of pathways.” Moss and lichen are the natural insulators of permafrost ground. The gardens have a number of important functions including to 1) add color 2) insulation value 3) filter indoor air and 4) maintain air humidity.

In one of the gardens floats a cafe, while other gardens can only be viewed from above by visitors but are accessible to researchers.