Most Buddhist gardens are in East Asia – especially Japan – and people therefore have the idea that a Buddhist garden should look Japanese and should probably be a ‘Zen Garden’. This is wrong. I like this comment from the Religious Education and Environment Programme REEP on Designing a Buddhist Garden: The garden does not need to look Buddhist or oriental. Many people, who are not Buddhist, also value such ideals. That the design promotes peacefulness, goodwill and respect for all creatures is more important than things like wind chimes, prayer flags or stone lanterns. If you wish so, you can certainly also include Buddhist and oriental decorations and garden features but, on their own, such decorations are not as important as a design which uses Buddhist ideas.
The Buddhist themes used at Samye Ling are World Peace, Wellbeing and Healing. They also grow organic vegetables and favour sustainability. These are themes which Buddhist Environmentalists have embraced – and which can be read into traditional Buddhism. I support all these themes but have a little regret that a garden of as much interest as Samye Ling does not put more emphasis on core Buddhist principles and philosophical concepts. These include the Four Noble Truths, the Noble Eightfold Path, dependent origination, non-self and impermanence.
Category Archives: Garden Design
'Public parks' should be rejuvinated under local community management
Central London’s public parks are great. They are well-planned, well-designed and well-used. But the typical London suburban park, in Chris Baines’ great phrase, is ‘a green desert with lollipop trees’. The grass is mown; they trees are over-managed. The people hardly use these green deserts, except for Saturday sport. It is these spaces which make us fear the ‘death of the park’. The Heritage Lottery Fund HLF, however, tries to restore these dreary spaces to their ‘former glory’ ie to their condition in the days when the proletariat could not afford gardens or holidays or cars or doctors. Horniman Gardens could all too easily be like this. But no: it has escaped the curse of standardised municipal management. Instead, it is host to a museum which is managed in tandem with the gardens. So they illustrate some of the ways in which public parks can be revived.
First, you remove them from the day-to-day control of municipal government. Find someone else to do the job: a trust, a community group, a school, a museum, a church, or whatever. But make sure that body only has one garden or park to care for.
Horniman Gardens are managed by a Public Museum and Public Park Trust. It’s a quango – but it shows far more sensitivity to users than what Alistair Campbell would doubtless call ‘a bog standard London park’. The Horniman Trust knows its users.
Second, you make it part of the Chelsea Fringe, even if it is nowhere near Chelsea. Then invite individuals and groups to organise events: story-telling, beer bars, gin bars, theatrical events, plant sales, planted cars, book sales, concerts, folk dancing, folk singing, a dog show – and poetry readings. The Chelsea Fringe has great examples of such events and they really bring people into parks and gardens.
Volunteer programmes are another way of involving the community. They work very well in America. So why shouldn’t they work even better in London? We are a Nation of Gardeners. London is the world’s Garden Capital. But the management of our parks date from the Great Reform Act of 1832 and it’s time for a change. So: let’s convert public parks into community parks!
And – there’s one more thing. We should put qualified landscape architects in charge of our parks. They know how to manage them. So let’s get on with it. We can have new parks for our new lives
Fountains, ponds, pools and other water features at the Chelsea Flower Show 2013
At the Chelsea Flower Show, it is a well-accepted principle that ‘a small garden needs a water feature’. This year, I noticed the usual number of ponds but fewer fountains. Could the explanation be that after two very wet years people are fed up to the back teeth with the sound of falling water?
The difference between a pool and a pond is as follows: a pond is ‘a small body of still water of artificial formation, made either by excavating a hollow in the ground or by embanking and damming up a watercourse in a natural hollow’. Pond derives from ‘pound’, as in ‘impounded water’. ‘Pool’ is an old Germanic word of uncertain origin meaning ‘a small body of still or standing water, esp. one of natural formation’. So those rectangular blue-tiled places we use for swimming should be called ‘swimming ponds’ – not pools. And the water bodies on display at Chelsea should be called ‘ponds’. The water in many of the examples on display was tinted black or brown. This makes it more reflective, and hides any under-water pumping equipment, but the water looks as though it has been ejected from a frightened octopus. Steel pools are also popular but, even if made with Corten steel, can be expected to have rust-brown water for many years. Phil Johnson’s Trailfinders Australian Garden won the Best in Show award with one of the most naturalistic (and expensive) water features I have seen at Chelsea. The design idea dates from c1800 but the implementation is modern.
Two modern Buddhist garden designs at the 2013 Chelsea Flower Show
After publishing six short videos on Buddhist gardens on this blog last week, you can well imagine that I was delighted to find two contemporary Buddhist-inspired garden designs at the 2013 Chelsea Flower Show: The Sound of Silence garden by Fernando Gonzalez and the Mindfulness garden by Martin Cook. Martin won a Gold Medal and Fernando a Silver-Gilt Medal – my explanation is that Fernando did not include flowers in his design. It is, after all, the Chelea FLOWER Show. My suggestion was that the wavy white mountains could stand in a lotus pond (following the traditional pattern of mandalas and mandala gardens). Congratulations to them both – I believe that Buddhist ideas have an illustrious future in gardens – less as representations of the Buddha than as interpretations of the Dharma. Fernando admires Japanese Zen gardens. They derive from Chinese ideas and I look forward to the day when Chinese landscape architects and garden designers recover their long-lost interest in Buddhist philosophy. That day will surely dawn.
Chelsea Fringe 2013 gardens and sponsorship opportunities
The Chelsea Fringe Garden Festival is in its second year. Congratulations to all who have helped make it happen – and especially to Tim Richardson, the Festival Director. What the Chelsea Fringe needs next is sponsors. I would like to suggest Richard Branson to sponsor the main event. He has given us the Virgin London Marathon, so why not the Virgin London Chelsea Fringe? It would also be good to have sponsors for Chelsea Fringe Show Gardens (see my suggested Chelsea Fringe Sponsorship Opportunities]. The right garden in the right place could give the sponsor more bangs/buck than an ordinary garden in the Chelsea Flower Show. London developers etc (eg of hotel gardens, office gardens, roof gardens and small public open spaces) could give them a special treatment and open them for the 3 weeks of the Chelsea Fringe. The developers of Battersea Power Station have an even better idea: they are LAUNCHING the development of a luxurious housing project with the creation of a 2.5 acre Pop-Up Park as part of the 2013 Chelsea Fringe Festival. The design is by LDA landscape architects, who also managed the delivery of the 2012 Olympic Park.
Buddhist garden design in India, Sri Lanka and Nepal
Buddhist garden design in India, Sri Lanka and Nepal is the second of six videos on the relationship between Buddhism and the history of garden design.
Buddhism began in North India and, over the next 1500 years, almost died out in India. But it survived in Sri Lanka – which also has good examples of ancient Buddhist gardens used by monastic communities. See: Sigiriya, Polonnarauwa, Anuradhapura – Mahamegha Gardens (Mahamevuna Uyana),
The influence of Buddhism on garden design is explained in an eBook