Category Archives: Asian gardens and landscapes

Is Turenscape's Qiaoyuan Park in Tianjin a model for Chinese landscape architecture? 请看一看土人景观事务所的作品-天津桥园公园

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Please have a look at Turenscape’s photographs of Tianjin Qiaoyuan Park – you can see why the American Society of Landscape Architects (ASLA) gave Tianjin Qiaoyuan Park an award.  Then please consider the above photographs. They were taken on a crisp Sunday in April: the park is bare, dry and without people. Did the ASLA act in haste? Did the ASLA judges visit Tianjin? Are the ASLA judges regretting their decision? If the design was as good as it looks on the designers’ photographs, shouldn’t it be full of people on a spring day?  North China has long hard winters. When spring arrives, everyone wants to warm their bones, stock up on Vitamin D, and admire the spring blossom. So where were all the people? Presumably they are in other parks, with water features which do not dry up and with flowers which smile at their admirers in spring.
My second thought concerns the sources for the design ideas. Designers always borrow, so where might the  ideas have come from? I sense three parents, which is an unusual number: (1) Bernard Tschumi’s design for Parc de laVillette (2) Peter Latz’ design for Duisberg Nord (3) Herbert Dreiseitl’s Waterscape approach. The use of red paint is traditional in China but it is also found at Parc la Villette.
My third thought is that borrowing visual imagery is rarely enough to make a good design. Duisborg Nord relates to the industrial history of Germany. Parc de la Villette relates to the structuralist theorizing of Gitanes cigarettes and Left Bank Paris. The Dreiseitl Waterscape approach may have a worldwide relevance – but it must be adjusted to the rainfall regimen of every locality: water cannot, should not, must not be the aesthetic focus of a design if a place which is going to be dry for half the year.
My conclusion is that the Single Agreed Law of Landscape Design should be applied as rigorously in China as in ever other square millimetre of land which the gods have made. Alexander Pope expressed it thus:

That tells the waters or to rise, or fall;
Or helps th’ ambitious hill the heav’ns to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades,
Now breaks, or now directs, th’ intending lines;
Paints as you plant, and, as you work, designs.

请看一案土人景观事务所设计的天津桥园公园的照片， 然后你就知道为什么美国风景园林师协会授予天津桥园公园授奖。然后请再考虑一下上面的几幅图片。这组照片拍摄于今年四月一个舒爽的周日：天津桥园公园几乎是“赤裸裸”，干旱而鲜见游客。是不是ASLA草率地授奖了呢？ASLA的评审专家是否来天津参观过呢？ASLA的评委现在是不是在对他们的评审懊悔不已呢？ 如果这个设计真的像设计师所拍摄的照片那样，为什么在春季美好的日子里公园中不是充满了游客呢？中国北方的冬季漫长而寒冷。当春季来临，每一个人都希望到户外晒晒太阳，贮存更多维他命D，并欣赏花开。但是，这里的人们都哪里去了呢？或者，他们都去了其它公园了吧，那里有春水和鲜花的微笑。

我的第二点思考是关于桥园公园设计理念的来源。设计师们总是喜欢“借用”。所以这个公园设计理念从何而来呢？ 我感觉它至少有三个“家长”，这个数量还挺不寻常的：（1）伯纳德·曲米的維葉特公園设计 （2）彼得·拉兹的杜伊斯堡·诺德设计（3）赫伯特·德莱赛特尔的理水方法。红色是中国传统的象征，但是在维葉特公园也使用了红色。

我的结论是“园林设计单一约定法规”应该在中国被严格执行，正如在上帝创造的其余哪怕是一平方毫米的土地上执行一样。正如亚历山大·蒲柏（Alexander Pope）所言。

Understanding density?

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Density is much more complex than its seems. U-Thant 7 Residences in Malaysia are described as luxury “low density condominiums.” In terms of their built form they would usually be considered a medium density form of living. The context, however, is more typical of low density or even rural or semi-rural settings with a formal park-like foreground setting and a natural background setting.

Undoubtably there are many more examples of this kind. The Cultural Centre design by Paul Eluard in Cugnaux, France attempts to address the contemporary needs of an historical low density city within the landscape.

Dublin is considered to be a low density city. The economic challenges it faces and the resulting contemporary waves of youth emigration suggests that Dublin may remain low density for some time into the future.

So, are we really viewing a population redistribution in global terms with some areas de-populating and others re-populating or increasing in population? What does this trend suggest for the future of our cities, for greenspaces and for wilderness?

Might King Will and Queen Kate restore pagan tree-worship to its rightful place in British culture?

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Sacred trees entering Westminster Abbey and contemporary Britain?


The Daily Mail reports that ‘Miss Middleton, 29, who studied history of art at St Andrew’s, has devised a theme which she says ‘pays tribute to the Language of Flowers’ – an idea that is bound to have gone down well with her gardening-obsessed father-in-law, Prince Charles, who famously admitted that he talks to his plants’.
One wonders if her history of art course included what little is known of paganism in the British Isles. Prince Charles wanted to become the ‘defender of faiths’ (instead of merely the Defender of Faith (Fidei Defensor). As the AP photograph shows, she has used trees to decorate Westminster Abbey. Tree worship was common throughout Europe before the advent of Christianity. I might become a strong supporter of the monarchy if the King Will and Queen Kate restore paganism to its proper place as one of the world’s major ‘religions’. It has a kinship with Hinduism, Daoism, Shinto and the religions of pre-Islamic West Asia.
I wish the young couple well but was not pleased to hear that the Metropolitan Police would deal harshly with protestors. Why shouldn’t we protest against vicious despots being invited to Britain and protected with millions of pounds from the public purse? It made me wonder about a small protest of my own. The best I could think of was sticking a postage stamp to the pavement outside Westminster Abbey and taking a video of people treading upon it. Instead, I will remember the trees and send and send Will & Kate every good wish from Gardenvisit.com. Like them, I am an alumni if St Andrews University.

Is Ken Yeang's brilliant landscape architecture sustainable?

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Or is Ken Yeang’s landscape architecture subject to the same criticism as Patrick Blanc’s green walls? I would of course be much happier if these approaches to landscape architecture were genuinely sustainable. But I have my doubts. My guesses are (1) the planted balconies will be great features for wealthy residents who have more than enough indoor space (2) less-wealthy residents, especially in inclement climates, would rather have more indoor space than a big balcony, though sliding doors would offer the choice of indoor or outdoor space (3) the extra habitat space will do a little good for biodiversity, accoustics, carbon balance etc (4) but all these benefits could be obtained at less cost by other means (5) real people would not produce the nice green fluff on Ken Yeang’s drawings: there would be no visual unity at all to the balconies. Some would be richly planted. Others would provide storage for mountain bikes, or washing lines, or bird cages, or plastic furniture and dead plants in ugly containers. That’s life.
So I am a sceptic who hopes to be proved utterly wrong.

Can landscape architects make a contribution to the safety of nuclear reactors, like Fukushima?

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Large scale planted and reinforced earth mounds would provide use protection against Tsunamis

With much sympathy for the plight of North Japan, I make the suggestion that the Fukushima Nuclear Reactors might have been much better able to resist the force of the Tsunami if there had been a 50m+ planted grass mound between the four reactors and the sea: (1) it would have cost very little money in proportion to the good it might have done (2) it would have made the Fukushima site more beautiful, because most industrial clutter is at ground level (3) it would have had ecological benefits (4) the earth might have been of use in an emergency.
So if any of our readers manage coastal nuclear reactors and would like help with the design of a protective bund, please use our contact form and I will find a former University of Greenwich landscape architecture MA student to do the job for you: there are few countries without them. If the above suggestion is impractical, they will be able to help you with energy saving through sustainable landscape architecture and planning – so that your country will have less need for nuclear power.
Image courtesy Beacon Radio

Living green bridges are vernacular landscape biotecture

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Living bridges? I found a nineteenth century drawing of living green bridge in 2009 and was delighted to find that they still exist. We can see it as vernacular landscape biotecture (using the word biotecture as a contraction of biological archiecture). The above example of a living root bridge is near Mawlynnong in the Khasi hills, in the Indian State of Meghalaya. Before you rush out any bridge construction detail based on this photograph please remember that ‘Meghalaya’y means The Abode of Clouds. Assam is to the north and Bangladesh on the south. A village near Cherrapunji in the Khasi Hills is the wettest place on earth with an annual rainfall of just under 12000mm (ie 24 times London’s average annual rainfall of 500mm). One could attempt a living bridge with willows in England, but I think it would turn into a dam, because the branches would root into the water.
Image courtesy Seema KK.