Author Archives: Tom Turner

Can landscape architects make a contribution to the safety of nuclear reactors, like Fukushima?

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Large scale planted and reinforced earth mounds would provide use protection against Tsunamis

With much sympathy for the plight of North Japan, I make the suggestion that the Fukushima Nuclear Reactors might have been much better able to resist the force of the Tsunami if there had been a 50m+ planted grass mound between the four reactors and the sea: (1) it would have cost very little money in proportion to the good it might have done (2) it would have made the Fukushima site more beautiful, because most industrial clutter is at ground level (3) it would have had ecological benefits (4) the earth might have been of use in an emergency.
So if any of our readers manage coastal nuclear reactors and would like help with the design of a protective bund, please use our contact form and I will find a former University of Greenwich landscape architecture MA student to do the job for you: there are few countries without them. If the above suggestion is impractical, they will be able to help you with energy saving through sustainable landscape architecture and planning – so that your country will have less need for nuclear power.
Image courtesy Beacon Radio

How should a city meet its landscape in the twenty-first century?

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The separation between City and Landscape was very clear in the Middle Ages: the city stopped and the landscape began, as in Carcasonne. This was the relationship in Europe, India, China and elsewhere. Twentieth century cities learned to sprawl. The city centres were dense enough, but the suburbs often had too much wasted land and the surrounding countryside was littered with so many lumpy buildings that it came to be called Nowhere Land.
So what should we do in the twenty-first century? Some of the problems are (1) putting limits on city size has proved impossible (2) poor people always want to move to cities from the countryside (3) rich people, in Europe and America want to move from city centres into the countryside.
My answer to the question at the head of this post is: define greenspace as ‘landscape infrastructure’ in advance of city expansion. McHarg-type landscape assessments should be made of the land around cities and long-term designations should be made to create an extensive web of land on which no building will ever be allowed. My guess is that the web will be based on (1) the existing pattern of rivers, streams and ditches (2) skyline ridges. Urban edges should be defined on the margins of this future greenweb and these margins will become the future equivalent of medieval city walls.
The IFLA student competition on Urban Boundaries is a welcome contribution to the debate.

Photograph of Carcasonne, courtesy John Wesley Barker.

The Earl of Moray's Pleasure Ground, in Edinburgh is an excellent example of a greenway with an urban edge (just visible on the skyline)

Image of St Bernards Well in Edinburgh courtesy Jonny Ho

The Royal Yacht Britannia deserves a fine landscape setting – not a trashy mooring

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Britain’s last Royal Yacht, the Britannia, is now ‘permanently moored as a five-star visitor attraction in the historic Port of Leith, Edinburgh’ and the setting is a total disgrace. The ghastly building which dwarfs the yacht is Ocean Terminal ‘an urban shopping centre & entertainment complex designed by Conran & Partners in London and handed over to Keppie Design’. Though I am pleased Scotland has regained a parliament, I am very disappointed by its lack of design and planning vision. The nearest they have to a design policy is ‘Hey Jock, what the hell, let’s get it built asap’. That ugly slab of a building is as ugly inside as it is outside and one can imagine that the planning officers were promised a lifetime’s supply of haggis in return for mooring the poor yacht here. I would like to see a competition for finding a better landscape setting for the old lady. Where can one find the best examples of historic ships moored in beautiful and romantic settings?

Rule Britannia!
Britannia rule the waves.
Britons never, never, never shall be slaves.
The nations, not so blest as thee, (eg Scotland)
Must in their turn, to tyrants fall,
Must in ,must in, must in their turn, to tyrants fall,
While thou shalt flourish, shalt flourish great and free,
The dread and envy of them all.
Rule Britannia!
Britannia rule the waves.
Britons never, never, never shall be slaves.

Living green bridges are vernacular landscape biotecture

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Living bridges? I found a nineteenth century drawing of living green bridge in 2009 and was delighted to find that they still exist. We can see it as vernacular landscape biotecture (using the word biotecture as a contraction of biological archiecture). The above example of a living root bridge is near Mawlynnong in the Khasi hills, in the Indian State of Meghalaya. Before you rush out any bridge construction detail based on this photograph please remember that ‘Meghalaya’y means The Abode of Clouds. Assam is to the north and Bangladesh on the south. A village near Cherrapunji in the Khasi Hills is the wettest place on earth with an annual rainfall of just under 12000mm (ie 24 times London’s average annual rainfall of 500mm). One could attempt a living bridge with willows in England, but I think it would turn into a dam, because the branches would root into the water.
Image courtesy Seema KK.

Quarry garden sculpture at Pedreres de s'Hostal as an example of the after-use of mineral workings

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Quarries are famed for their propensity to create ‘a scar on the landscape’. But they can also produce wonderful results, as land sculpture on a supra-human scale and majesty. This has led me to conclude that the Permission for new quarrying projects should only be given when a restoration and after-use plan has been prepared and agreed with the planning authorities. BUT there is also a possibility of making something good, and something which is a work of art, when the after-use of the mineral working was not planned in advance. The Pedreres de s’Hostal quarry is a good example of this.
The Pedreres de s’Hostal stone quarry on the island of Minorca, Spain became disused in 1994. It was then taken over by a non-for-profit organization (Líthica) and is being made into a post-industrial heritage park

Image courtesy Carlos Pons

John Ruskin: picturesque tourism, poverty, love, life and sex

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John Ruskin was one of the most brilliant writers of the nineteenth century. We all tread in his picturesque footsteps when exploring foreign cities and taking street photographs. But take care. Ruskin wrote that “Yesterday, I came on a poor little child lying flat on the pavement in Bologna – sleeping like a corpse – possibly from too litte food. I pulled up immediately – not in pity, but in delight at the folds of its poor little ragged chemise over the thin bosom – and gave the mother money – not in charity, but to keep the flies off it while I made a sketch. I don’t see how this it to be avoided, but it is very hardening.” Or was he a hard man? The beautiful Effie Gray (right) thought him oppressive. Her marriage to Ruskin was never consumated because, it is said, he knew of female beauty only from marble statues and was horrified to discover that real girls had pubic hair. Effie divorced Ruskin and had 8 children by his friend, the Pre-Raphaelite painter, Sir John Everett Millais.

Above image of India courtesy Dey Alexander. Below drawing, by Ruskin, of Piazza Santa Maria del Pianto, Rome.