At the Chelsea Flower Show, it is a well-accepted principle that ‘a small garden needs a water feature’. This year, I noticed the usual number of ponds but fewer fountains. Could the explanation be that after two very wet years people are fed up to the back teeth with the sound of falling water?
The difference between a pool and a pond is as follows: a pond is ‘a small body of still water of artificial formation, made either by excavating a hollow in the ground or by embanking and damming up a watercourse in a natural hollow’. Pond derives from ‘pound’, as in ‘impounded water’. ‘Pool’ is an old Germanic word of uncertain origin meaning ‘a small body of still or standing water, esp. one of natural formation’. So those rectangular blue-tiled places we use for swimming should be called ‘swimming ponds’ – not pools. And the water bodies on display at Chelsea should be called ‘ponds’. The water in many of the examples on display was tinted black or brown. This makes it more reflective, and hides any under-water pumping equipment, but the water looks as though it has been ejected from a frightened octopus. Steel pools are also popular but, even if made with Corten steel, can be expected to have rust-brown water for many years. Phil Johnson’s Trailfinders Australian Garden won the Best in Show award with one of the most naturalistic (and expensive) water features I have seen at Chelsea. The design idea dates from c1800 but the implementation is modern.
Author Archives: Tom Turner
Chelsea Fringe Pop Up Park at Battersea Power Station
Among the great days in the life of a building project are the client’s commitment to the design, breaking the turf, topping out and handing over the completed project to the client. Between these high-days there can be longueurs – and vacant land. We have been waiting 30+ years for Battersea Power Station to be re-developed and it was an enlightened move by the developers to make a temporary park on the waterfront as a Chelsea Fringe Project. It benefits the public and attracts attention to the development: win-win. Self-appointedly, on behalf of the people of London, I also thank the Pop Up Foundation for publicising a set of good causes. As you can see from the video, the cause with most appeal for me was Find-a-Fountain. The aim is to rid the world of those evil plastic bottles in which water is sinfully sold for a higher price/litre than diesel fuel! It’s amazing that we let it continue. Just think how much good would result from banning the sale of bottled water:
- less litter on beaches
- less landfill
- fewer litter collection vehicles
- less oil used in making disposable bottles
- less fuel in transporting bottles smaller shops, because they need no shelves for water
The Pop Up Event is very English: we love what their misguided detractors call Lost Causes.
Two modern Buddhist garden designs at the 2013 Chelsea Flower Show
After publishing six short videos on Buddhist gardens on this blog last week, you can well imagine that I was delighted to find two contemporary Buddhist-inspired garden designs at the 2013 Chelsea Flower Show: The Sound of Silence garden by Fernando Gonzalez and the Mindfulness garden by Martin Cook. Martin won a Gold Medal and Fernando a Silver-Gilt Medal – my explanation is that Fernando did not include flowers in his design. It is, after all, the Chelea FLOWER Show. My suggestion was that the wavy white mountains could stand in a lotus pond (following the traditional pattern of mandalas and mandala gardens). Congratulations to them both – I believe that Buddhist ideas have an illustrious future in gardens – less as representations of the Buddha than as interpretations of the Dharma. Fernando admires Japanese Zen gardens. They derive from Chinese ideas and I look forward to the day when Chinese landscape architects and garden designers recover their long-lost interest in Buddhist philosophy. That day will surely dawn.
Chelsea Fringe 2013 gardens and sponsorship opportunities
The Chelsea Fringe Garden Festival is in its second year. Congratulations to all who have helped make it happen – and especially to Tim Richardson, the Festival Director. What the Chelsea Fringe needs next is sponsors. I would like to suggest Richard Branson to sponsor the main event. He has given us the Virgin London Marathon, so why not the Virgin London Chelsea Fringe? It would also be good to have sponsors for Chelsea Fringe Show Gardens (see my suggested Chelsea Fringe Sponsorship Opportunities]. The right garden in the right place could give the sponsor more bangs/buck than an ordinary garden in the Chelsea Flower Show. London developers etc (eg of hotel gardens, office gardens, roof gardens and small public open spaces) could give them a special treatment and open them for the 3 weeks of the Chelsea Fringe. The developers of Battersea Power Station have an even better idea: they are LAUNCHING the development of a luxurious housing project with the creation of a 2.5 acre Pop-Up Park as part of the 2013 Chelsea Fringe Festival. The design is by LDA landscape architects, who also managed the delivery of the 2012 Olympic Park.
The Dragon Garden in Shey and Landscape Architecture for the Druk White Lotus School in Ladakh, India
This is the sixth of 6 videos on the relationship between Buddhism and garden design.
The Dragon Garden in Shey, Ladakh, India, is being made under the influence of Buddhism but is a secular school within the Indian School system. The architecture, based on an mandala, is by Arup Associates. The garden and landscape design is by the department of landscape architecture at the University of Greenwich in London. It extends the mandala concept outward from the school buildings. The Druk White Lotus School (DWLS) is under the patronage of the Dalai Lama and is funded by a UK-based charity, the Drukpa Trust.
The influence of Buddhism on garden design is explained in an eBook
Eco-Buddhism, landscape architecture, Ian McHarg and environmental ethics
Eco-Buddhism, landscape architecture and environmnetal ethics is the second of six videos on the relationship between Buddhism and the history of garden and environmental design.
Buddhism declined in many Asian countries during the twentieth century but became one of the fastest-growing faiths in Europe, the Americas and Australia. This led to an encounter with the environmental movement and a substantial literature has developed on what is called Eco-Buddhism, Green Buddhism or Environmental Buddhism. Though he did not advocate a Buddhist approach, Ian McHarg’s advocacy of Design with nature and of Lynn White’s argument against the Christian attitude to nature, associates McHarg with Buddhist Environmentalism.
The influence of Buddhism on Environmental Ethics is discussed in an eBook