Author Archives: Tom Turner

Anthony Gormley's Angel of the North and its landscape setting

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The Angel of Death and the Angel of the North

The Angel of Death and the Angel of the North

Gormley is one of my favorite sculptors. I often wish he had taken a course in landscape design but, more often, I wish landscape architects had taken courses in sculpture. The Angel was finished 16 years ago today and the BBC has just played an ‘on this day’ clip of a speech he made at its opening. Gormley explained: ‘I want to convey what it is to be alive at the end of the twentieth century – its immense potential and immense danger’. For me, this encapsulates one of the big things artists should be doing: using images to ‘say’ something about the nature of life.
The above images are from Wikipedia. It has many images which show the sculpture looking good (eg right above) and very few showing it as most people see it from the road (eg left above). From the road is how I normally see it and my usual thought is ‘he should have made it higher’. But with the explanation I heard today I am not so sure. Were it higher, the sculpture would say more about ‘opportunities’ and less about ‘dangers’. Ambiguity is its own message – between the spirituality of an angel and the tragedy of a plane crash or a dying steel industry in the north of England.

MODERN art, design and landscape architecture

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If this is NOT modern and NOT contemporary THEN what is it?

If this is NOT modern and NOT contemporary THEN what is it?


Having long argued that ‘Modern’ is obsolete as an adjective for the art and design of the twentieth century, I was interested to read today that ‘Modern’ (modernus) was used for the first time in the late fifth century in order to distinguish the present, which had become officially Christian, from the Roman past… the term ‘modern again and again expresses the consciousness of an epoch that relates itself to the past of antiquity, in order to view itself as the result of a transition from the old to the new’. By ‘again and again’ the writer is thinking of the sixteenth, seventeenth and eighteenth centuries. Walpole’s famous 1771 essay, for example, was ‘On modern gardening’. Thankfully, we have new names for the art and culture of times further past. But what other name to we have for the art, design and landscape architecture of the twentieth century? Since I was told recently that ‘Andy Warhol and many contemporary artists are dead’, I do not see Contemporary as a useful candidate.
Image courtesy icstefanescu

Sayes Court Historic Garden Restoration Proposal

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Sayes CourtFrom the standpoint of design history and theory, Sayes Court was the most important English garden of the seventeenth century. I am therefore delighted to read in Building Design that something of its character may be recreated. But why appoint a firm of architects (David Kohn) to co-ordinate the project? OK, they have good garden designers and plantspeople on board – but if I wanted a design for a bridge I would not appoint a firm of architects as the lead consultants (at least not unless they were very particular fiends of mine). Here is an account of the team for Sayes Court: ‘DKA has been appointed by Lewisham Council to assist a Community Interest Company in Deptford develop ideas for a Centre for Urban Horticulture at historic Sayes Court, a World Monument Fund site. The project is in collaboration with Dan Pearson Studio, the National Trust and Eden Project. The commission follows DKA’s previous work in Deptford for Lewisham Council and the Mayor of London’. Who is the garden historian on the team? Who has made a study of how Baroque ideas came to influence English gardens? Who has read John Evelyn‘s Sylva with the expert knowledge to understand its import? Who brings the essential knowledge, which Evelyn had, of seventeenth century gardens in Italy and France? In the unlikely event that anything is more certain than death and taxation, it is that Lewisham Council lacks this expertise. Mark Laird should be invited to join the team.
See previous post on Sayes Court.

Flood protection bunds: the waffle method and the chickens coming home to roost

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Catal_huyuk_somerset_levelsWhat goes around comes around. The top image is a reconstruction of one of the world’s oldest settlements, at Catal Huyuk in Turkey. Ancient Chinese cities were also protected from floods by high walls. The lower image (from yesterday’s Daily Mail) shows a builder’s determination to protect himself from the floods which have engulfed the Somerset Levels in 2014. See previous posts about the Waffle Method of protecting property from floods. This is what I would do if I lived in a flood-prone area: take my own flood-protection measures. I would of course have no objection to taxpayers building levees and digging channels to protect my property – but I would not trust their generosity. Here is another example of waffle-flood-protection in the flood plain of the Mississippi. Knowing that climate change is taking place, despite Prince Charles’ view of my stupidity, I would build the bund into the design of my garden rather than waiting until the flood waters crept up on my boundary. The bund would also protect the chickens-with-heads I would like to keep in my country garden. Since it would be protected against foxes I could let them enjoy a free-range lifestyle and roost in the trees in my country garden. One other thing: if I was a wealthy builder I would employ a garden designer for my private paradise in Somerset.

Help! HRH the Prince of Wales has called me a headless chicken

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headless_chicken_climate_change_denier
We admire Prince Charles – so why should he suddenly pounce and call me a Headless Chicken? Is this any fit way for a future king to address a future subject? No. Has he forgotten that I sent him a copy of my 1987 book on Landscape planning? Obviously. Are we still friends? Dunno.
‘Headless chicken’ is his jibe for climate change deniers. But who does he include in this category? Since I know of nobody who doubts the thermometer’s evidence for global warming, he must be attacking those who believe, as I do, that God and Mother Nature are affecting the climate as much today as they have done for the past 13.798±0.037 billion years. Do I think man is part of nature? Yes. Do I think man has some influence on climate change? Yes. Do I think man is the sole cause of climate change? No. So why call me a headless chicken? Honestly, he has spoiled my day. So did that blast of wind and rain which hit me in the park. A little global warming hereabouts would be acceptable at this time of year.

Landscape Urbanism vs New Urbanism

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Here is a great video from Rob Cowan: he draws as well as he talks – and he talks as well as he operates a camera. Should we be Landscape Urbanists or New Urbanists? Rob’s answer is ‘let’s stop wasting time on theory and get to work on solving problems’. With an equally peace-making message I would say:
New Urbanist to Landscape Urbanist: ‘You’re so right: let’s love each other and work together’
Landscape Urbanist to New Urbanist: ‘You’re so right: let’s love each other and work together’
But then I would say to both of them ‘C’mon you guys. Stop thinking in 2 dimensions: that game’s a’gonna. You guys gotta work in 4 dimensions’.