Monthly Archives: October 2009

Mass protest against Greenwich Park equestrian event

Protesters shout SAVE GREENWICH PARK on 11 October 2009

Protesters shout SAVE GREENWICH PARK on 11 October 2009

We like to be first with the news. This photo was taken half an hour ago and we estimate there were over a thousand people in Greenwich Park on a wet afternoon, most of them horrified at the prospect of the damage the Olympic Equestrian Event would do to the Park. Those pounding hoofs and crowds of people would damage the Le Notre Parterre and endanger those wonderful old chestnut trees which do so much to feed Chinese chestnut pickers each autumn. See also: Restoration after 2012 Greenwich Olympic Equestrian Event and Olympic Village 2012.

Please visit the Jardin Plume before it becomes over copied


the Bassin Mirroir and Orchard at the Jardin Plume

the Bassin Mirroir and Orchard at the Jardin Plume

I vividly remember my sense of injustice and disappointment when a university tutor dismissed the French Romantic poetry I was raving about as ‘cliché’. I had only just met it, and I thought it was wonderful. Please then, go to see this wonderful garden before it becomes cribbed, copied, and eventually clichéd. It is so new and so original, yet the formula is old, because this garden takes the best principles of the past and applies them in a strikingly modern way.

Sylvie and Patrick Quibel are hortics who built the garden to promote their nursery. Now the nursery funds the garden, and the garden has been voted Garden of the Year by Those That Know.

It is on flat ground in the middle of farm land in Normandy, a climate similar to ours in England, so plenty of scope for copying. The Quibels based the design on the principles used at Vaux le Vicomte by Le Notre (a design so successful that the Sun King jealously imprisoned the owner, stole the chateau, and got the designer to do him Versailles). There are grand allées, formal hedging and tightly clipped parterres. The house is raised above the land, and extra land is ‘borrowed’ by carrying the eye seamlessly into countryside beyond. There is a potager as purely ornamental as Marie Antoinette’s, a pool to reflect the heavens, and secluded spots for indulgent reverie. So far so déjà vue, but what makes the garden modern is the way all this is done.

The raising of the house is by one sole brick step, and that is the only new hard landscaping to be seen. The allées are wide paths in an orchard, mown between geometric squares filled with tall grasses and colourful perennials. Thus French formality is wittily contrasted with the billowing grasses which play so well to the wind swept site .The Quibels saw them as undulating and continued the metaphor by clipping the formal hedges into waves.

The parterre in front of the house is filled with the Summer garden – a jumble of hot colours and tall shapes including over 8 different types of Helenium – on close inspection each bed of the parterre has a side missing, ‘to let in the air’. This looks out onto the orchard, and beneath an enormous apple tree, the reflection pool, which is a simple square cut in place of one of the grass cubes in the orchard.

There are traditional box balls in the Spring garden, but there are over twenty of them, of varying sizes and interplanted with mainly whites such as hellebore and solomon’s seal, astrantia and pulmonaria, all brought alive with the lightest scattering of Molinia ‘Fontane’ dancing above.

The Autumn garden is hidden behind hedges on the west side of the house, and Patrick describes how they built the arbour as this is the best spot to enjoy an evening aperitif. In front of the arbour an enormous ‘table’ of box separates the diners from the crowd of ‘vivaces’, a brightly coloured jostling jungle of perennials, with annuals and grasses, mostly over six foot tall. The Quibels site Dixter as an influence, and like Christopher Lloyd and Fergus Garrett they plant in associations. They will try out groupings in situ until they are happy with a combination, when they repeat it again and again, so that the result is harmonious, whilst looking natural. In the spring everything is cut to the ground, weeds removed and, like Dixter, self-seeders scrutinised and allowed tenancy where they enhance the original planting.

The arbour and box 'table' in the Autumn garden at Jardin Plume

The arbour and box 'table' in the Autumn garden at Jardin Plume

As nurserymen the Quibels were influenced by Priona in Holland, and they propagate a huge range of new perennial style plants such as Aster, Cimicifuga, Veronicastrum, Circium, Epilobium Sanguisorbas and Thalictrums and wonderful grasses including their own self seeded Miscanthus ‘saturnia’, a luminous white flowering possible love child of Miscanthus ‘Silver feather’ which is similar but heavier.

It is this mixture of formal and natural, control and laissée faire, old fashioned structure and twenty-first century planting that makes this garden special. It is a very sensual garden, crammed full of colours, scents and movement, and the French are very sensual about their plants. Nursery catalogues talk of finding the plants that have ‘seduced’ you in the gardens, and to overhear the eager replies to Patrick’s question ‘Do you want it?’ (vous le voulez?) in the nursery, you can see why.

The Quibels will be speaking at the Garden Museum on October 20th www.gardenmuseum.org.uk To visit the garden see www.lejardinplume.com

Patrick Quibel in le Jardin Plume

Patrick Quibel in le Jardin Plume





First entries for Tiananmen Square Landscape Architecture Competition

Witney Hedges entry for the Tiananmen Square competition would be invisible by day and spectacular after dark

Witney Hedges entry for the Tiananmen Square competition would be invisible by day and spectacular as dusk turns to dark

The landscape architecture compeition for Tiananmen Square was announced in March 2009 and, seven months later, we are pleased to see the first entries coming in. There are still eight months to go (till June 2010) and we hope for many more. All the competition entries can be seen on Flickr, because it is a Web 2.0 design competition.  A Chinese commentator has said, in effect, ‘leave Tiananmen Square as it is: it is a ‘holy place’ belonging to the PRC and foreigners should leave it alone’. I can understand this attitude! – but the conclusion that ‘nothing should ever change’ does not follow and two of the early entries. from Witney Hedges and Henrychung, go for a ‘sensitive intervention’ approach which leaves the use and spatial character of the Square very much as they are today. Other entries, perhaps inspired by the famous Chinese architect Ma Yansong, go for a radical greening of the space. My own view is that all options should be considered and that they should be discussed both within China and outside China. Civilization, to which China has made an inestimable contribution, belongs to the whole world, not to a group of people who occupy a small geographical zone for a short period in time: they have the right and the power to decide but they can and should welcome debate.

Rescue garden archaeology before the Olympic equestrian event in Greenwich

The space in front of the Queen's House is the site of the only design by Andre Le Notre for a British park or garden. Le Notre was the greatest garden designer and landscape architect of the seventeenth century.

The space in front of the Queen's House is the site of the only design by Andre Le Notre for a British park or garden. Le Notre was the greatest garden designer and landscape architect of the seventeenth century. Archaeological research should be done before the land is sacrificed to the the 2012 Olympic horses.

Andre Le Notre was the greatest landscape architect of the seventeenth century and, many would say, of any century. He completed only one design in the British Isles. It was for a parterre in Greenwich Park, London. The current proposal is to use this parterre for the 2012 Olympic Equestrian. Two conclusions surely follow:

1) the parterre garden and its periphery should have a full rescue archaeology investigation before any work of any kind begins

2) the Le Notre parterre garden should be fully restored if the Equestrian Event takes place here, because horses and stadia damage land.

LOCOG, the London Organising Committee of the 2012 Olympic Games,  say:

– the ground is to be ‘improved’ and strengthened
– to soften the ground there will be some decompaction/aeration
– as part of recovery programme there will be reseeding or returfing
– tree roots would be protected with materials such as woodchip

What will improvement, strengthening, decompaction and aeration do the archaeological remains? They are no way to treat a site of Grade I Garden Archaeological Importance. The first step should be a non-invasive geophysical survey using a magnetometer. This can map buried building foundations (eg of fountain basins) and can even plot the location of pre-historic paths in certain circumstances. The Le Notre parterre was cultivated during the Second World War but (1) the cultivation is unlikely to have been deep (2) it may well have been limited to the flat area of the parterre (3) evedince may survive below the parterre and near Le Notre’s banks, which are the areas most likely to be damaged by the equestrian competition arena.

Let us hope English Heritage supports the call for an archaeological investigation before further damage is done.

Andre Le Notre's plan for the parterre in Greenwich Park, with handwriting in his own hand. The earthworks were implemented and survive in part. An archaeological investigation is necessary to discover the extent to which the paths were built, and what survives of them.

Andre Le Notre's plan for the parterre in Greenwich Park, with handwriting in his own hand. The earthworks were implemented and survive in part. An archaeological investigation is necessary to discover the extent to which the paths were built, and what survives of them.

The embankment forms part of Andre Le Notre's earthworks in Greenwich Park

The foreground embankment forms part of Andre Le Notre's earthworks in Greenwich Park

CSD Context Sensitive Design and urban design

The Eifel Tower became a loved feature of Paris, but after the Montparnasse Tower (right) was built, the city decided there must be no more high buildings within the Boulevard Péripherique

The Eifel Tower became an adored feature of Paris, but after the Montparnasse Tower (right) was built, Parisians decided there must be no more high buildings within the Boulevard Péripherique. What does this tell us about context-sensitive, and context-insensitive, design?

Context theory is “the theory of how environmental design and planning of new development should relate to its context”. Unless we want the world to become less-and-less diverse, it is a subject which should concern all urban planners, designers, architects and landscape architects. Surely, we all want designs which respond sensitively to the cultural, climatic, ecological, geological, hydrological etc context in which they are built. Cars and moble phones can be everywhere the same but design for the built environment should be sensitive to its context. This requires a theory of how additions to the built environment should relate to their context.

In America, the FHWAFederal Highway Administration” fully supports the concepts and principles that make-up Flexibility in Highway Design, now commonly referred to as “Context Sensitive Design” (CSD)”. Even signage design can be context-sensitive and it is an important aspect of urban street design.

Sustainable energy, landscape architecture and the carbon cycle

The landscape architecture should consider the implications for the landscape of supplying the UK's energy demand when the oil runs out

The landscape architecture should consider the implications for the landscape of supplying the UK's energy demand when the oil runs out (image from the 10-page Synopsis, reproduced courtesy David Mackay)


So far as I know, there is only one excellent book on Sustainable Energy. It is available free and the author, David MacKay, has become a government advisor. Everyone should read the 10-page synopsis. My question is this: how will solar power affect the landscape and what can landscape architects do to help the shift to sustainable energy? Solar, Clean Coal, Nuclear, Tide, Wave, Hydro, Waste, Pumped Heat, Wood, Biofuel, Wind.

The European average for energy use is 125 kWh/day.  Covering the windiest 10% of Britain with onshore windfarms would yield 20 kWh/ day per person; covering every south-facing roof with solar water-heating panels would capture 13 kWh/day per person; wave machines intercepting Atlantic waves over 500 km of coastline would provide 4 kWh per day per person.

Do landscape architects have anything to say about the layout of giant solar farms? David MacKay believes they are the most promising solution in the longer term. And what about giant wind farms?