It takes one’s breath away. How can the managers of Salisbury Cathedral Cloister be so misguided in their approach to planting design? Do they really want to give one of the masterpieces of medieval European landscape architecture (1280) the character of a Victorian vicarage? The apparent aim is to hide the floral tracery of arcades behind a shrubbery, and to hide those ugly stone columns with some nice green tanalized wooden posts – even the galvanized wire does not make them beautiful. Perhaps the trouble began when some past prelate had the idea of being buried in the cloister, making his successors think the place was a boneyard. Ugh. I wish the Church of England could resolve its problems with women priests, gay priests and planting design. The solutions are obvious and I would give them my advice with free and tolerant humility. Prima facie, I suggest (1) leave the cedars, despite their historical inaccuracy (2) remove the shrubbery (3) manage the grass as even more of a flowery mead than its present condition, (4) perhaps, have an annual design for the layout of mown paths in the millefiori.
(See yesterday’s post on the social use of cloister garths)
The use of cloister courts and garths for memorial plaques is fairly common in England. It can be compared to memorial plaques inside cathedrals and, of course, to the tomb gardens of Egypt, China, India and elsewhere. But it does not feel right and I think the Buddha had the right attitude when he asked for his grave to be unmarked. It was a sign of humility. Memorials smack of ostentation. But placing an engraved stone on a wall or floor is preferable to memorial stones in grass: they are often unsightly; they diminish the vegetated area; they are impure.