With luck, I will have to change my mind when it is completed. But my present view of James Corner’s design for Freshkills Park is that it is a dull design for a dull place. It reminds me of many landscape reclamation projects completed in the north of England in the 1970s. ‘Before’ photographs, intended to shock the viewer, showed heaps of mining waste with scrubby vegetation. ‘DERELICTION’ we were told. ‘After’ photographs, were of several varieties: the mouse-under-the-carpet, the dog-under-the-carpet and the whale-under-the-carpet. The ‘carpet’ was an expensively created layer of greeny-yellow turf with a sparsity of dying trees. This is what the clients wanted, it has to be said, but the results were of very little ecological, visual or social value.
Another Freshkills puzzle is why it should be regarded as exemplifying a new approach to landscape architecture. I see Landscape Urbanism as postmodern and Freshkills as a good example of McHargian Ecological Design – which was a modernist approach. James Corner’s design for the High Line is excellent – so I remain optimistic that Fresh Kills will turn out well. I re-visited Richard Wilson’s wonderful 20:50 sump oil installation at the Saatchi Gallery recently and it made me wonder about Fresh Kills. As an access-route, why not cut a glass-sided trench though the heap of rubbish so that visitors can watch the decay progress? We could see leachate dripping onto old motherboards and the occasional pair of mating rats?. Then there could be a flare to burn off a tiny fraction of the methane.