The principal view from the house at BLAIZE CASTLE, is along that rich glen of wood through which the approach has been made, as already described: in this view, the castle, although perfectly in harmony with the solemn dignity of the surrounding woods, increases, rather than relieves, that apparent solitude which is too sombre for the character of a villa [see fig. 92]. Some object was wanting to enliven the scenery: a temple, or a pavilion, in this situation, would have reflected light, and formed a contrast with the dark woods; but such a building would not have appeared to be inhabited; this cottage [fig. 93], therefore, derives its chief beauty from that which cannot easily be expressed by painting-the ideas of motion, animation, and inhabitancy, contrasted with those of stillness and solitude. Its form is meant to be humble, without meanness; it is, and appears, the habitation of a labourer who has the care of the neighbouring woods; its simplicity is the effect of art, not of neglect or accident; it seems to belong to the mansion, and to the more conspicuous tower, without affecting to imitate the character of either.
