On the plan are letters with arrows referring to the illustrations. The letter is at the spot where the camera stood; the arrow points to the middle of the picture. Thus the one taken from D shows two-thirds of the longest path with the end of the big wall and the Yew hedge that prolongs its line on the right and the Nut-trees on the left. The colouring on the right is of pale purple Aubrietia and double white Arabis, with pale Daffodils, and, at the back, groups of sulphur Crown Imperial.
The more distant colouring is of brown Wallflower and red Tulip and the bright mahogany-coloured Crown Imperial. The picture from E is done from among the reds and strong yellows and looks to point C, and further, through the arch of Rose and Clematis, to the summer garden beyond. The other illustrations show groups of colouring more in detail. The one from F looks at Near Rock from one side. Over the grey Stachys and its milk-white Tulips is seen the flowery mass of pale and deep lilac, and pinkish lilac with grey foliage, crowned with pink and white Tulips near the foot of the Nuts. The picture from G looks at the bit of bank called Further Rock with its big piece of sandstone that looks as if it came naturally out of the ground. Here is a mass of dead-white Iberis with Tulips of a softer white, then the lilac-white of Phlox stellaria and the bluish lilac of Phlox divaricata. The picture from H was done a few days later. It shows the further mass of Phlox divaricata more fully in bloom, and among the white Tulips above, a pretty pale lilac-blue hybrid Iris and some taller stems of the common Blue Flag Iris just coming into blossom. This picture shows the value of the dark Yew hedge as a background to the flowers. Just at the back of the flowery bank are Hollies, and then the hedge. This has not yet come to its full height and the top still shows a ragged outline, but in two years' time it will have grown into shape.
