Contrasts, again, are often admissible in woody scenery; and we would not wish to lose many of our most superb trees, because they could not be introduced in particular portions of landscape. Contrasts in trees may be so violent as to be displeasing; as in the example of the groups of the three trees, the willow, poplar, and oak: or they may be such as to produce spirited and pleasing effects. This must be effected by planting the different divisions of trees, first, in small leading groups, and then by effecting a union between the groups of different character, by intermingling those of the nearest similarity into and near the groups: in this way, by easy transitions from the drooping to the round-headed, and from these to the tapering trees, the whole of the foliage and forms harmonize well.