In Landscape Gardening, violations of the principle of unity are often to be met with, and they are always indicative of the absence of correct taste in art. Looking upon a landscape from the windows of a villa residence, we sometimes see a considerable portion of the view embraced by the eye, laid out in natural groups of trees and shrubs, and upon one side, or perhaps in the middle of the same scene, a formal avenue leading directly up to the house. Such a view can never appear a satisfactory whole, because we experience a confusion of sensations in contemplating it. There is an evident incongruity in bringing two modes of arranging plantations, so totally different, under the eye at one moment, which distracts, rather than pleases the mind. In this example, the avenue, taken by itself, may be a beautiful object, and the groups and connected masses may, in themselves, be elegant; yet if the two portions are seen together, they will not form a whole, because they cannot make a composite idea. For the same reason, there is something unpleasing in the introduction of fruit trees among elegant ornamental trees on a lawn, or even in assembling together, in the same beds, flowering plants and culinary vegetables-one class of vegetation suggesting the useful and homely alone to the mind, and the other, avowedly, only the ornamental.