HARMONY may be considered the principle presiding over variety, and preventing it from becoming discordant. It, indeed, always supposes contrasts, but neither so strong nor so frequent as to produce discord; and variety, but not so great as to destroy a leading expression. In plantations, we seek it in a combination of qualities, opposite in some respects, as in the color of the foliage, and similar in others more important, as the form. In embellishments, by a great variety of objects of interest, as sculptured vases, sun dials, or rustic seats, baskets, and arbors, of different forms, but all in accordance, or keeping with the spirit of the scene.