{"id":1910,"date":"2009-07-06T05:47:17","date_gmt":"2009-07-06T05:47:17","guid":{"rendered":"http:\/\/www.gardenvisit.com\/blog\/?p=1910"},"modified":"2009-07-06T05:47:17","modified_gmt":"2009-07-06T05:47:17","slug":"lancelot-brown-and-blenheim-palace-garden","status":"publish","type":"post","link":"https:\/\/www.gardenvisit.com\/blog\/lancelot-brown-and-blenheim-palace-garden\/","title":{"rendered":"Lancelot Brown and Blenheim Palace Garden"},"content":{"rendered":"
<\/a>I have sometimes heard myself remark that if ‘Capability’ Brown undertook a modern landscape architecture course he would be lucky to get a mark of 50%. But a few of his projects are excellent and none is more puzzling than Blenheim Palace Garden<\/a>. I have been to photograph Blenheim many times and had another ‘shot’ at it last week. As usual, when I got home and looked at the pictures they are pretty flat and pretty disappointing. But after struggling with the Oxford area traffic and driving through the tightly picturesque village of Woodstock, and walking through what must have been the trade entrance, an amazing vision of the palace, the lake, the landform, the woods and the bridge opens before you. It is beautifully composed, full of awe and vast in scale. But you need a really wide angle lens to capture the scene, and I think this is why the photographs tend to be disappointing. I therefore offer you a photograph of the bridge only. It was taken from the lake edge with an angle of view approximately equal to the human eye (47 degrees on a 35mm camera) and I think it captures the scale of Blenheim much better than a wide angle lens would have done.<\/p>\n