‘‘On this spot,’ Mr Bentham explained, ‘John Milton wrote part of Paradise Lost. I don’t know which part it was. But for me, it has been a paradise found.’
‘I use the Greatest Happiness of the Greatest Number principle as enthusiastically in my garden as I use it when writing about legal and social questions. Fashion is an irrelevance for me.’ This is a quote from The Claudians: gardens, landscapes, reason and faith: John Claudius Loudon and Claudius Buchanan, Tom Turner (Kindle, 2024).
John Milton's seat in what later became Jeremy Bentham's garden at Queen Square was a place where the poet and author, John Milton, used to sit and contemplate.
Jeremy Bentham, who greatly admired Milton's works, had a replica of Milton's seat installed in his garden as a tribute to the poet. It was a nod to Bentham's appreciation for Milton's contributions to literature and philosophy. The seat served as a symbolic connection between the two thinkers, reflecting Bentham's intellectual interests and influences.
John Milton’s seat at Hagley Hall, paralleled in Jeremy Bentham’s garden (probably at a later date), symbolises a profound connection between literature and philosophy. Milton, renowned for his epic poem Paradise Lost, found solace in the natural beauty of his surroundings, which was later echoed in Bentham’s own garden. Bentham, a staunch advocate of utilitarianism, admired Milton not only for his literary brilliance but also for his philosophical depth. By replicating Milton’s seat, Bentham created a space that honoured Milton’s legacy while reflecting his own philosophical principles. This gesture highlights how Bentham’s intellectual pursuits were deeply influenced by earlier thinkers, and it also underscores the broader tradition of integrating literary and philosophical heritage into personal spaces. The seat thus stands as a testament to the enduring impact of Milton’s work on subsequent generations and the way personal environments can reflect and celebrate historical intellectual achievements.